Global Broadcast Monitor Market 2025 by Manufacturers, Regions, Type and Application, Forecast to 2031
According to our (Global Info Research) latest study, the global Broadcast Monitor market size was valued at US$ 546 million in 2024 and is forecast to a readjusted size of USD 791 million by 2031 with a CAGR of 5.5% during review period.
Broadcast Monitor is a display device similar to a television set, used to monitor the output of a video-generating device, such as playout from a video server, IRD, video camera, VCR, or DVD player. It may or may not have professional audio monitoring capability. Unlike a television set, a video monitor has no tuner (television) and, as such, is unable independently to tune into an over-the-air broadcast like a television receiver. One common use of video monitors is in television stations, television studios, production trucks and in outside broadcast vehicles, where broadcast engineers use them for confidence checking of analog signal and digital signals throughout the system.
Key drivers of the broadcast monitor market include the growth in video content demand, technological advancements, and changes in production environments. The increasing requirements for high-definition and color accuracy in film and television production are driving demand for advanced display equipment. The adoption of 4K and 8K resolutions and HDR technology is prompting monitor manufacturers to enhance their products to meet higher standards. Additionally, the rise of virtual production and real-time image processing demands more powerful and precise display capabilities. The expansion of streaming and online content creation further amplifies the need for professional-grade monitors in the media industry.
The key manufacturers are Sony, JVC, Ikegami, Marshall, TVLogic, Canon, Lilliput, Blackmagicdesign, ToteVision, SmallHD, Bon Monitors, Datavideo, Atomos, Ruige, Laizeske, SEETEC, Wohler, Astro Design etc. Top 3 companies occupied more than 40% market share.
This report is a detailed and comprehensive analysis for global Broadcast Monitor market. Both quantitative and qualitative analyses are presented by manufacturers, by region & country, by Type and by End User. As the market is constantly changing, this report explores the competition, supply and demand trends, as well as key factors that contribute to its changing demands across many markets. Company profiles and product examples of selected competitors, along with market share estimates of some of the selected leaders for the year 2025, are provided.
Key Features:
Global Broadcast Monitor market size and forecasts, in consumption value ($ Million), sales quantity (K Units), and average selling prices (USD/Unit), 2020-2031
Global Broadcast Monitor market size and forecasts by region and country, in consumption value ($ Million), sales quantity (K Units), and average selling prices (USD/Unit), 2020-2031
Global Broadcast Monitor market size and forecasts, by Type and by End User, in consumption value ($ Million), sales quantity (K Units), and average selling prices (USD/Unit), 2020-2031
Global Broadcast Monitor market shares of main players, shipments in revenue ($ Million), sales quantity (K Units), and ASP (USD/Unit), 2020-2025
The Primary Objectives in This Report Are:
To determine the size of the total market opportunity of global and key countries
To assess the growth potential for Broadcast Monitor
To forecast future growth in each product and end-use market
To assess competitive factors affecting the marketplace
This report profiles key players in the global Broadcast Monitor market based on the following parameters - company overview, sales quantity, revenue, price, gross margin, product portfolio, geographical presence, and key developments. Key companies covered as a part of this study include Sony, JVC, Ikegami, Marshall, Vidente (TVLogic), Canon, Blackmagic Design, ToteVision, SmallHD, Bon Monitors, etc.
This report also provides key insights about market drivers, restraints, opportunities, new product launches or approvals.
Market Segmentation
Broadcast Monitor market is split by Type and by End User. For the period 2020-2031, the growth among segments provides accurate calculations and forecasts for consumption value by Type, and by End User in terms of volume and value. This analysis can help you expand your business by targeting qualified niche markets.
Market segment by Type
HD Monitors
4K/8K Monitors
Market segment by End User
Television Stations and Broadcast Companies
Film Production Companies and Post-Production Studios
Advertising Agencies and Creative Firms
Others
Major players covered
Sony
JVC
Ikegami
Marshall
Vidente (TVLogic)
Canon
Blackmagic Design
ToteVision
SmallHD
Bon Monitors
Datavideo
Atomos
Boland communication
Plura Inc.
Postium
Laizeske
Wohler
Astro Design
EIZO
Lilliput
Ruige
Zhangzhou SEETEC Optoelectronics
SWIT Electronics
Osee Technology
Shenzhen Zunzheng Digital Video
Konvision
Desview
DIBLUEVS
Market segment by region, regional analysis covers
North America (United States, Canada, and Mexico)
Europe (Germany, France, United Kingdom, Russia, Italy, and Rest of Europe)
Asia-Pacific (China, Japan, Korea, India, Southeast Asia, and Australia)
South America (Brazil, Argentina, Colombia, and Rest of South America)
Middle East & Africa (Saudi Arabia, UAE, Egypt, South Africa, and Rest of Middle East & Africa)
The content of the study subjects, includes a total of 15 chapters:
Chapter 1, to describe Broadcast Monitor product scope, market overview, market estimation caveats and base year.
Chapter 2, to profile the top manufacturers of Broadcast Monitor, with price, sales quantity, revenue, and global market share of Broadcast Monitor from 2020 to 2025.
Chapter 3, the Broadcast Monitor competitive situation, sales quantity, revenue, and global market share of top manufacturers are analyzed emphatically by landscape contrast.
Chapter 4, the Broadcast Monitor breakdown data are shown at the regional level, to show the sales quantity, consumption value, and growth by regions, from 2020 to 2031.
Chapter 5 and 6, to segment the sales by Type and by End User, with sales market share and growth rate by Type, by End User, from 2020 to 2031.
Chapter 7, 8, 9, 10 and 11, to break the sales data at the country level, with sales quantity, consumption value, and market share for key countries in the world, from 2020 to 2025.and Broadcast Monitor market forecast, by regions, by Type, and by End User, with sales and revenue, from 2026 to 2031.
Chapter 12, market dynamics, drivers, restraints, trends, and Porters Five Forces analysis.
Chapter 13, the key raw materials and key suppliers, and industry chain of Broadcast Monitor.
Chapter 14 and 15, to describe Broadcast Monitor sales channel, distributors, customers, research findings and conclusion.