Global Live Streaming Equipment Competitive Landscape Professional Research Report 2025

Research Summary

Live streaming equipment refers to the hardware and software tools used to broadcast live video and audio content over the internet in real-time. Essential components include cameras (often high-definition or 4K), microphones for clear audio capture, video switchers to manage multiple video sources, and encoders to convert video into a digital format suitable for online streaming. Other equipment may include tripods, lighting setups for optimal image quality, and computers or laptops running streaming software that integrates with platforms like YouTube, Twitch, or Facebook Live. For professional streams, additional gear like video capture cards, wireless transmitters, and audio mixers may be used to ensure high-quality production and smooth streaming. Live streaming equipment is crucial for a wide range of applications, from gaming broadcasts and virtual events to news broadcasts, online education, and corporate presentations, offering real-time, interactive viewing experiences.

According to DIResearch's in-depth investigation and research, the global Live Streaming Equipment market size was valued at XX Million USD in 2024 and is projected to reach XX Million USD by 2032, with a CAGR of XX% (2025-2032). Notably, the China market has changed rapidly in the past few years. By 2024, China's market size is expected to be XX Million USD, representing approximately XX% of the global market share. By 2032, it is anticipated to grow further to XX Million USD, contributing XX% to the worldwide market share.

The major global  manufacturers of Live Streaming Equipment include Canon, Sony, Panasonic, Logitech, Elgato, MOMA, Aputure, FOR-A COMPANY LIMITED, AVerMedia, Crestron, Extron etc. The global players competition landscape in this report is divided into three tiers. The first tier comprises global leading enterprises that command a substantial market share, hold a dominant industry position, possess strong competitiveness and influence, and generate significant revenue. The second tier includes companies with a notable market presence and reputation; these firms actively follow industry leaders in product, service, or technological innovation and maintain a moderate revenue scale. The third tier consists of smaller companies with limited market share and lower brand recognition, primarily focused on local markets and generating comparatively lower revenue.

This report studies the market size, price trends and future development prospects of Live Streaming Equipment. Focus on analysing the market share, product portfolio, prices, sales, revenue and gross profit margin of global major manufacturers, as well as the market status and trends of different product types and applications in the global Live Streaming Equipment market. The report data covers historical data from 2020 to 2024, based year in 2025 and forecast data from 2026 to 2032.

The regions and countries in the report include North America, Europe, China, APAC (excl. China), Latin America and Middle East and Africa, covering the Live Streaming Equipment market conditions and future development trends of key regions and countries, combined with industry-related policies and the latest technological developments, analyze the development characteristics of Live Streaming Equipment industries in various regions and countries, help companies understand the development characteristics of each region, help companies formulate business strategies, and achieve the ultimate goal of the company's global development strategy.  

The data sources of this report mainly include the National Bureau of Statistics, customs databases, industry associations, corporate financial reports, third-party databases, etc. Among them, macroeconomic data mainly comes from the National Bureau of Statistics, International Economic Research Organization; industry statistical data mainly come from industry associations; company data mainly comes from interviews, public information collection, third-party reliable databases, and price data mainly comes from various markets monitoring database.

Global Key Manufacturers of Live Streaming Equipment Include:

Canon

Sony

Panasonic

Logitech

Elgato

MOMA

Aputure

FOR-A COMPANY LIMITED

AVerMedia

Crestron

Extron

Live Streaming Equipment Product Segment Include:

Microphone

Lighting

Encoder

Others

Live Streaming Equipment Product Application Include:

E-Commerce

Entertainment

Sports

Education

Others

Chapter Scope

Chapter 1: Product Research Range, Product Types and Applications, Market Overview, Market Situation and Trends

Chapter 2: Global Live Streaming Equipment Industry PESTEL Analysis

Chapter 3: Global Live Streaming Equipment Industry Porter’s Five Forces Analysis

Chapter 4: Global Live Streaming Equipment Major Regional Market Size and Forecast Analysis

Chapter 5: Global Live Streaming Equipment Market Size and Forecast by Type and Application Analysis

Chapter 6: North America Passenger Live Streaming Equipment Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 7: Europe Live Streaming Equipment Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 8: China Live Streaming Equipment Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 9: APAC (Excl. China) Live Streaming Equipment Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 10: Latin America Live Streaming Equipment Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 11: Middle East and Africa Live Streaming Equipment Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 12: Global Live Streaming Equipment Competitive Analysis of Key Manufacturers (Revenue, Market Share, Regional Distribution and Industry Concentration)

Chapter 13: Key Company Profiles (Product Portfolio, Revenue and Gross Margin)

Chapter 14: Industrial Chain Analysis, Include Raw Material Suppliers, Distributors and Customers

Chapter 15: Research Findings and Conclusion

Chapter 16: Methodology and Data Sources


1 Live Streaming Equipment Market Overview
1.1 Product Definition and Statistical Scope
1.2 Live Streaming Equipment Product by Type
1.2.1 Microphone
1.2.2 Lighting
1.2.3 Encoder
1.2.4 Others
1.3 Live Streaming Equipment Product by Application
1.3.1 E-Commerce
1.3.2 Entertainment
1.3.3 Sports
1.3.4 Education
1.3.5 Others
1.4 Global Live Streaming Equipment Market Size Analysis (2020-2032)
1.5 Live Streaming Equipment Market Development Status and Trends
1.5.1 Live Streaming Equipment Industry Development Status Analysis
1.5.2 Live Streaming Equipment Industry Development Trends Analysis
2 Live Streaming Equipment Market PESTEL Analysis
2.1 Political Factors Analysis
2.2 Economic Factors Analysis
2.3 Social Factors Analysis
2.4 Technological Factors Analysis
2.5 Environmental Factors Analysis
2.6 Legal Factors Analysis
3 Live Streaming Equipment Market Porter's Five Forces Analysis
3.1 Competitive Rivalry
3.2 Threat of New Entrants
3.3 Bargaining Power of Suppliers
3.4 Bargaining Power of Buyers
3.5 Threat of Substitutes
4 Global Live Streaming Equipment Market Analysis by Regions
4.1 Global Live Streaming Equipment Overall Market: 2024 VS 2025 VS 2032
4.2 Global Live Streaming Equipment Revenue and Forecast Analysis (2020-2032)
4.2.1 Global Live Streaming Equipment Revenue and Market Share by Region (2020-2025)
4.2.2 Global Live Streaming Equipment Revenue Forecast by Region (2026-2032)
5 Global Live Streaming Equipment Market Size by Type and Application
5.1 Global Live Streaming Equipment Market Size by Type (2020-2032)
5.2 Global Live Streaming Equipment Market Size by Application (2020-2032)
6 North America
6.1 North America Live Streaming Equipment Market Size and Growth Rate Analysis (2020-2032)
6.2 North America Key Manufacturers Analysis
6.3 North America Live Streaming Equipment Market Size by Type
6.4 North America Live Streaming Equipment Market Size by Application
6.5 North America Live Streaming Equipment Market Size by Country
6.5.1 US
6.5.2 Canada
7 Europe
7.1 Europe Live Streaming Equipment Market Size and Growth Rate Analysis (2020-2032)
7.2 Europe Key Manufacturers Analysis
7.3 Europe Live Streaming Equipment Market Size by Type
7.4 Europe Live Streaming Equipment Market Size by Application
7.5 Europe Live Streaming Equipment Market Size by Country
7.5.1 Germany
7.5.2 France
7.5.3 United Kingdom
7.5.4 Italy
7.5.5 Spain
7.5.6 Benelux
8 China
8.1 China Live Streaming Equipment Market Size and Growth Rate Analysis (2020-2032)
8.2 China Key Manufacturers Analysis
8.3 China Live Streaming Equipment Market Size by Type
8.4 China Live Streaming Equipment Market Size by Application
9 APAC (excl. China)
9.1 APAC (excl. China) Live Streaming Equipment Market Size and Growth Rate Analysis (2020-2032)
9.2 APAC (excl. China) Key Manufacturers Analysis
9.3 APAC (excl. China) Live Streaming Equipment Market Size by Type
9.4 APAC (excl. China) Live Streaming Equipment Market Size by Application
9.5 APAC (excl. China) Live Streaming Equipment Market Size by Country
9.5.1 Japan
9.5.2 South Korea
9.5.3 India
9.5.4 Australia
9.5.5 Southeast Asia
10 Latin America
10.1 Latin America Live Streaming Equipment Market Size and Growth Rate Analysis (2020-2032)
10.2 Latin America Key Manufacturers Analysis
10.3 Latin America Live Streaming Equipment Market Size by Type
10.4 Latin America Live Streaming Equipment Market Size by Application
10.5 Latin America Live Streaming Equipment Market Size by Country
10.5.1 Mexico
10.5.2 Brazil
11 Middle East & Africa
11.1 Middle East & Africa Live Streaming Equipment Market Size and Growth Rate Analysis (2020-2032)
11.2 Middle East & Africa Key Manufacturers Analysis
11.3 Middle East & Africa Live Streaming Equipment Market Size by Type
11.4 Middle East & Africa Live Streaming Equipment Market Size by Application
11.5 Middle East & Africa Live Streaming Equipment Market Size by Country
11.5.1 Saudi Arabia
11.5.2 South Africa
12 Competition by Manufacturers
12.1 Global Live Streaming Equipment Market Revenue by Key Manufacturers (2021-2025)
12.2 Live Streaming Equipment Competitive Landscape Analysis and Market Dynamic
12.2.1 Live Streaming Equipment Competitive Landscape Analysis
12.2.2 Global Key Manufacturers Headquarter Location and Key Area Sales
12.2.3 Market Dynamic
13 Key Companies Analysis
13.1 Canon
13.1.1 Canon Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.1.2 Canon Live Streaming Equipment Product Portfolio
13.1.3 Canon Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.2 Sony
13.2.1 Sony Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.2.2 Sony Live Streaming Equipment Product Portfolio
13.2.3 Sony Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.3 Panasonic
13.3.1 Panasonic Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.3.2 Panasonic Live Streaming Equipment Product Portfolio
13.3.3 Panasonic Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.4 Logitech
13.4.1 Logitech Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.4.2 Logitech Live Streaming Equipment Product Portfolio
13.4.3 Logitech Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.5 Elgato
13.5.1 Elgato Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.5.2 Elgato Live Streaming Equipment Product Portfolio
13.5.3 Elgato Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.6 MOMA
13.6.1 MOMA Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.6.2 MOMA Live Streaming Equipment Product Portfolio
13.6.3 MOMA Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.7 Aputure
13.7.1 Aputure Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.7.2 Aputure Live Streaming Equipment Product Portfolio
13.7.3 Aputure Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.8 FOR-A COMPANY LIMITED
13.8.1 FOR-A COMPANY LIMITED Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.8.2 FOR-A COMPANY LIMITED Live Streaming Equipment Product Portfolio
13.8.3 FOR-A COMPANY LIMITED Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.9 AVerMedia
13.9.1 AVerMedia Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.9.2 AVerMedia Live Streaming Equipment Product Portfolio
13.9.3 AVerMedia Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.10 Crestron
13.10.1 Crestron Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.10.2 Crestron Live Streaming Equipment Product Portfolio
13.10.3 Crestron Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
13.11 Extron
13.11.1 Extron Basic Company Profile (Employees, Areas Service, Competitors and Contact Information)
13.11.2 Extron Live Streaming Equipment Product Portfolio
13.11.3 Extron Live Streaming Equipment Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
14 Industry Chain Analysis
14.1 Live Streaming Equipment Industry Chain Analysis
14.2 Live Streaming Equipment Industry Raw Material and Suppliers Analysis
14.2.1 Live Streaming Equipment Key Raw Material Supply Analysis
14.2.2 Raw Material Suppliers and Contact Information
14.3 Live Streaming Equipment Typical Downstream Customers
14.4 Live Streaming Equipment Sales Channel Analysis
15 Research Findings and Conclusion
16 Methodology and Data Source
16.1 Methodology/Research Approach
16.2 Research Scope
16.3 Benchmarks and Assumptions
16.4 Date Source
16.4.1 Primary Sources
16.4.2 Secondary Sources
16.5 Data Cross Validation
16.6 Disclaimer

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