Global Copyright Music Competitive Landscape Professional Research Report 2025

Best Price Guarantee	Length	Publisher	Published Date	SKU
from $3,500	170 Pages	DIResearch	January, 2025	DIR19558905

Best Price Guarantee
Price	from $3,500
Length	170 Pages
Publisher	DIResearch
Published Date	January, 2025
SKU	DIR19558905

Research Summary

Copyright music refers to musical works that are protected by copyright laws. When a composer, songwriter, or musician creates an original piece of music, they automatically hold the copyright to that work, which grants them exclusive rights to control its use, distribution, reproduction, and public performance. Copyright protection ensures that the creator can financially benefit from their work and have control over how it is used by others. In most countries, copyright protection for music lasts for the lifetime of the creator plus a certain number of years after their death. During this period, anyone wishing to use the copyrighted music for commercial purposes, public performances, or distribution must obtain proper authorization, usually through licensing agreements or by paying royalties to the copyright holder. Copyright music plays a vital role in protecting the rights of musicians and fostering creativity by providing an incentive for artists to continue creating new and original music.

According to DIResearch's in-depth investigation and research, the global Copyright Music market size was valued at XX Million USD in 2024 and is projected to reach XX Million USD by 2032, with a CAGR of XX% (2025-2032). Notably, the China market has changed rapidly in the past few years. By 2024, China's market size is expected to be XX Million USD, representing approximately XX% of the global market share. By 2032, it is anticipated to grow further to XX Million USD, contributing XX% to the worldwide market share.

The major global manufacturers of Copyright Music include Tencent Music, NetEase Cloud Music, Sony Music, Universal Music, Warner Music, Taihe Music, Rock Records, MODERN SKY, HIM International Music, Fenghua Qiushi etc. The global players competition landscape in this report is divided into three tiers. The first tier comprises global leading enterprises that command a substantial market share, hold a dominant industry position, possess strong competitiveness and influence, and generate significant revenue. The second tier includes companies with a notable market presence and reputation; these firms actively follow industry leaders in product, service, or technological innovation and maintain a moderate revenue scale. The third tier consists of smaller companies with limited market share and lower brand recognition, primarily focused on local markets and generating comparatively lower revenue.

This report studies the market size, price trends and future development prospects of Copyright Music. Focus on analysing the market share, product portfolio, prices, sales, revenue and gross profit margin of global major manufacturers, as well as the market status and trends of different product types and applications in the global Copyright Music market. The report data covers historical data from 2020 to 2024, based year in 2025 and forecast data from 2026 to 2032.

The regions and countries in the report include North America, Europe, China, APAC (excl. China), Latin America and Middle East and Africa, covering the Copyright Music market conditions and future development trends of key regions and countries, combined with industry-related policies and the latest technological developments, analyze the development characteristics of Copyright Music industries in various regions and countries, help companies understand the development characteristics of each region, help companies formulate business strategies, and achieve the ultimate goal of the company's global development strategy.

The data sources of this report mainly include the National Bureau of Statistics, customs databases, industry associations, corporate financial reports, third-party databases, etc. Among them, macroeconomic data mainly comes from the National Bureau of Statistics, International Economic Research Organization; industry statistical data mainly come from industry associations; company data mainly comes from interviews, public information collection, third-party reliable databases, and price data mainly comes from various markets monitoring database.

Global Key Manufacturers of Copyright Music Include:

Tencent Music

NetEase Cloud Music

Sony Music

Universal Music

Warner Music

Taihe Music

Rock Records

MODERN SKY

HIM International Music

Fenghua Qiushi

Copyright Music Product Segment Include:

Record Company

Music Producers and Studios

Copyright Agent

Copyright Regulatory Department

Copyright Music Product Application Include:

Personal

Business

Chapter Scope

Chapter 1: Product Research Range, Product Types and Applications, Market Overview, Market Situation and Trends

Chapter 2: Global Copyright Music Industry PESTEL Analysis

Chapter 3: Global Copyright Music Industry Porter’s Five Forces Analysis

Chapter 4: Global Copyright Music Major Regional Market Size and Forecast Analysis

Chapter 5: Global Copyright Music Market Size and Forecast by Type and Application Analysis

Chapter 6: North America Passenger Copyright Music Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 7: Europe Copyright Music Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 8: China Copyright Music Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 9: APAC (Excl. China) Copyright Music Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 10: Latin America Copyright Music Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 11: Middle East and Africa Copyright Music Competitive Analysis (Market Size, Key Players and Market Share, Product Type and Application Segment Analysis, Countries Analysis)

Chapter 12: Global Copyright Music Competitive Analysis of Key Manufacturers (Revenue, Market Share, Regional Distribution and Industry Concentration)

Chapter 13: Key Company Profiles (Product Portfolio, Revenue and Gross Margin)

Chapter 14: Industrial Chain Analysis, Include Raw Material Suppliers, Distributors and Customers

Chapter 15: Research Findings and Conclusion

Chapter 16: Methodology and Data Sources

1 Copyright Music Market Overview: 1.1 Product Definition and Statistical Scope; 1.2 Copyright Music Product by Type; 1.2.1 Record Company; 1.2.2 Music Producers and Studios; 1.2.3 Copyright Agent; 1.2.4 Copyright Regulatory Department; 1.3 Copyright Music Product by Application; 1.3.1 Personal; 1.3.2 Business; 1.4 Global Copyright Music Market Size Analysis (2020-2032); 1.5 Copyright Music Market Development Status and Trends; 1.5.1 Copyright Music Industry Development Status Analysis; 1.5.2 Copyright Music Industry Development Trends Analysis
2 Copyright Music Market PESTEL Analysis: 2.1 Political Factors Analysis; 2.2 Economic Factors Analysis; 2.3 Social Factors Analysis; 2.4 Technological Factors Analysis; 2.5 Environmental Factors Analysis; 2.6 Legal Factors Analysis
3 Copyright Music Market Porter's Five Forces Analysis: 3.1 Competitive Rivalry; 3.2 Threat of New Entrants; 3.3 Bargaining Power of Suppliers; 3.4 Bargaining Power of Buyers; 3.5 Threat of Substitutes
4 Global Copyright Music Market Analysis by Regions: 4.1 Global Copyright Music Overall Market: 2024 VS 2025 VS 2032; 4.2 Global Copyright Music Revenue and Forecast Analysis (2020-2032); 4.2.1 Global Copyright Music Revenue and Market Share by Region (2020-2025); 4.2.2 Global Copyright Music Revenue Forecast by Region (2026-2032)
5 Global Copyright Music Market Size by Type and Application: 5.1 Global Copyright Music Market Size by Type (2020-2032); 5.2 Global Copyright Music Market Size by Application (2020-2032)
6 North America: 6.1 North America Copyright Music Market Size and Growth Rate Analysis (2020-2032); 6.2 North America Key Manufacturers Analysis; 6.3 North America Copyright Music Market Size by Type; 6.4 North America Copyright Music Market Size by Application; 6.5 North America Copyright Music Market Size by Country; 6.5.1 US; 6.5.2 Canada
7 Europe: 7.1 Europe Copyright Music Market Size and Growth Rate Analysis (2020-2032); 7.2 Europe Key Manufacturers Analysis; 7.3 Europe Copyright Music Market Size by Type; 7.4 Europe Copyright Music Market Size by Application; 7.5 Europe Copyright Music Market Size by Country; 7.5.1 Germany; 7.5.2 France; 7.5.3 United Kingdom; 7.5.4 Italy; 7.5.5 Spain; 7.5.6 Benelux
8 China: 8.1 China Copyright Music Market Size and Growth Rate Analysis (2020-2032); 8.2 China Key Manufacturers Analysis; 8.3 China Copyright Music Market Size by Type; 8.4 China Copyright Music Market Size by Application
9 APAC (excl. China): 9.1 APAC (excl. China) Copyright Music Market Size and Growth Rate Analysis (2020-2032); 9.2 APAC (excl. China) Key Manufacturers Analysis; 9.3 APAC (excl. China) Copyright Music Market Size by Type; 9.4 APAC (excl. China) Copyright Music Market Size by Application; 9.5 APAC (excl. China) Copyright Music Market Size by Country; 9.5.1 Japan; 9.5.2 South Korea; 9.5.3 India; 9.5.4 Australia; 9.5.5 Southeast Asia
10 Latin America: 10.1 Latin America Copyright Music Market Size and Growth Rate Analysis (2020-2032); 10.2 Latin America Key Manufacturers Analysis; 10.3 Latin America Copyright Music Market Size by Type; 10.4 Latin America Copyright Music Market Size by Application; 10.5 Latin America Copyright Music Market Size by Country; 10.5.1 Mexico; 10.5.2 Brazil
11 Middle East & Africa: 11.1 Middle East & Africa Copyright Music Market Size and Growth Rate Analysis (2020-2032); 11.2 Middle East & Africa Key Manufacturers Analysis; 11.3 Middle East & Africa Copyright Music Market Size by Type; 11.4 Middle East & Africa Copyright Music Market Size by Application; 11.5 Middle East & Africa Copyright Music Market Size by Country; 11.5.1 Saudi Arabia; 11.5.2 South Africa
12 Competition by Manufacturers: 12.1 Global Copyright Music Market Revenue by Key Manufacturers (2021-2025); 12.2 Copyright Music Competitive Landscape Analysis and Market Dynamic; 12.2.1 Copyright Music Competitive Landscape Analysis; 12.2.2 Global Key Manufacturers Headquarter Location and Key Area Sales; 12.2.3 Market Dynamic
13 Key Companies Analysis: 13.1 Tencent Music; 13.1.1 Tencent Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.1.2 Tencent Music Copyright Music Product Portfolio; 13.1.3 Tencent Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.2 NetEase Cloud Music; 13.2.1 NetEase Cloud Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.2.2 NetEase Cloud Music Copyright Music Product Portfolio; 13.2.3 NetEase Cloud Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.3 Sony Music; 13.3.1 Sony Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.3.2 Sony Music Copyright Music Product Portfolio; 13.3.3 Sony Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.4 Universal Music; 13.4.1 Universal Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.4.2 Universal Music Copyright Music Product Portfolio; 13.4.3 Universal Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.5 Warner Music; 13.5.1 Warner Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.5.2 Warner Music Copyright Music Product Portfolio; 13.5.3 Warner Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.6 Taihe Music; 13.6.1 Taihe Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.6.2 Taihe Music Copyright Music Product Portfolio; 13.6.3 Taihe Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.7 Rock Records; 13.7.1 Rock Records Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.7.2 Rock Records Copyright Music Product Portfolio; 13.7.3 Rock Records Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.8 MODERN SKY; 13.8.1 MODERN SKY Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.8.2 MODERN SKY Copyright Music Product Portfolio; 13.8.3 MODERN SKY Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.9 HIM International Music; 13.9.1 HIM International Music Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.9.2 HIM International Music Copyright Music Product Portfolio; 13.9.3 HIM International Music Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025); 13.10 Fenghua Qiushi; 13.10.1 Fenghua Qiushi Basic Company Profile (Employees, Areas Service, Competitors and Contact Information); 13.10.2 Fenghua Qiushi Copyright Music Product Portfolio; 13.10.3 Fenghua Qiushi Copyright Music Market Data Analysis (Revenue, Gross Margin and Market Share) (2021-2025)
14 Industry Chain Analysis: 14.1 Copyright Music Industry Chain Analysis; 14.2 Copyright Music Industry Raw Material and Suppliers Analysis; 14.2.1 Copyright Music Key Raw Material Supply Analysis; 14.2.2 Raw Material Suppliers and Contact Information; 14.3 Copyright Music Typical Downstream Customers; 14.4 Copyright Music Sales Channel Analysis
15 Research Findings and Conclusion
16 Methodology and Data Source: 16.1 Methodology/Research Approach; 16.2 Research Scope; 16.3 Benchmarks and Assumptions; 16.4 Date Source; 16.4.1 Primary Sources; 16.4.2 Secondary Sources; 16.5 Data Cross Validation; 16.6 Disclaimer