Stock Images & Videos Market - Global Outlook & Forecast 2024-2029

Stock Images & Videos Market - Global Outlook & Forecast 2024-2029


The global stock images and videos market is expected to grow at a CAGR of 7.05% from 2023 to 2029.

Stock images and videos encompass the licensing and distribution of digital photographs, illustrations, vectors, and videos through online platforms and stock agencies. Stock images are available under different licensing models, including royalty-free and rights-managed, catering to the varying needs of businesses and individuals seeking visual content for commercial and non-commercial use. The demand for stock images and videos market is poised for significant growth during the forecast period, driven by the rising demand for high-quality visual content across several industries, including advertising, media, publishing, and e-commerce. Further factors such as animation production, blockchain technology, artificial intelligence (AI), and machine learning (MI) in stock content substantially contribute to market growth. Professionals and amateurs utilize stock images and videos for marketing materials, presentations, blogs, social media posts, and creative projects. Thus, the stock images and videos market serves a broad spectrum of customers, including marketers, advertisers, designers, publishers, bloggers, filmmakers, and content creators, offering a vast library of visual assets to meet diverse creative needs.

FUTURE MARKET TRENDS

Increasing Penetration of AI & MI in Stock Content

With the rising demand for high-quality images and videos, the development of AI and MI technologies has witnessed significant growth. These technologies can easily analyze and recognize stock content, which improves the search and discovery of relevant stock visuals based on specific themes, objects, or concepts. Further, a few significant players in the stock images and videos market had also launched or implemented proprietary AI systems, such as Dreamstime, to screen images shared by creators and altered their specifications to fit how the human editor classified images. Additionally, in 2023, Shutterstock expanded its partnership with OpenAI through a new six-year agreement to provide high-quality training data for OpenAI models, propelling transformative capabilities for brands, digital media, and marketing companies.

Rapid Shift to Vertical Formats

In the world of digital content creation, there's a seismic shift happening with the rise of vertical formats in recent years. Vertical format offers several benefits for businesses looking to improve their content marketing strategies. One of the most significant advantages is that it provides a better user experience on mobile devices, where most people consume video content. As a result, customers are increasingly expected to borrow from pre-existing images and videos from the vertical aesthetic. Getty Images, Dreamstime, Adobe Stock, Shutterstock, Alamy, and more are expanding the base of vertically styled photo and video offerings to leverage the demand in the stock images and video market. For instance, in 2021, Canva integration with Instagram stories allows users to create customized stories using Canva's design tools and directly publish them into Instagram.

SEGMENTATION INSIGHTS

INSIGHTS BY PRODUCT

Based on product type, the global stock images and videos market segments into stock images and stock videos. In 2023, the stock images market dominated the global market. The rising wide range of applications, including web design, print media, social media posts, presentations, and more, are boosting the demand for stock images. Also, the increasing visual literacy of the global audience is driving up the demand for stock images. Businesses are shifting towards more flexible and cost-effective channels like programmatic advertising, where the availability of impressions and consumer engagement is on the rise. B2B brands are increasing their digital advertising expenditures to compensate for leads lost during events, while streaming services, online news platforms, and other services, such as online food delivery, are experiencing higher advertising investments. As consumers spend more time on news and media content, these channels have seen a surge in advertising purchases.

Segmentation by Product
  • Stock Images
  • Stock Video
INSIGHTS BY SOURCE

The global stock images and videos market by source is segmented into macrostock and microstock. In 2023, the microstock segment will dominate the global market and is expected to add more than USD 1.3 billion in revenue by the end of 2029. For brands that seek to maintain uniqueness in a market where social influence is widespread and aspirational brands appear, the macro stock seems more appealing. However, microstock is anticipated to grow rapidly during the forecast period. The demand for royalty-free stock footage licenses and unlimited downloads makes it ideal for users looking for quality stock content.

Segmentation by Source
  • Macrostock
  • Microstock
INSIGHTS BY LICENSE

The RM (Rights Managed) license segment holds the most significant share of the global stock images and videos market in 2023. RM grants exclusive and specific usage rights to the buyer, with the licensing fee typically determined by factors like media size, resolution, duration, intended use, and distribution. RM licenses provide advantages such as exclusivity and precise control over media use, making them ideal for critical or sensitive projects. Further, with the convergence of digital and linear capabilities, premium video is increasingly finding its footing in marketing. The shift towards offering premium video is gradually gathering pace to engage users who seek extremely distinctive content, and this is expected to drive the growth of the RM license faster than the image segment.

Segmentation by License
  • RM (Rights Managed)
  • RF (Royalty Free)
INSIGHTS BY PRICING MODEL

The subscription pricing model segment dominated the global stock images and videos market share in 2023. This model is popular among frequent users such as large enterprises, media companies, and agencies that require a high volume of images. Customers pay a recurring fee (monthly or annually) for access to a certain number of monthly downloads or a set period. Additionally, it is a cost-effective solution for users who need daily content as subscribers pay a predictable fee, making budgeting easier than per-image licensing. For frequent users requiring multiple images, subscriptions are more economical than purchasing individual licenses.

Segmentation by Pricing Model
  • Subscription
  • Pay-Per-Download
INSIGHTS BY APPLICATION

The global stock images and videos market by application is segmented into commercial and editorial. The two applications typically differentiate how the content is permitted to be used. In 2023, the commercial sector will hold a significant share of the global stock images and videos market owing to the rising number of filmmakers, photographers, and drone operators. Stock images and videos are also extensively used in digital marketing campaigns across websites, social media platforms (such as Facebook, Instagram, Twitter, and LinkedIn), email marketing, display ads, and digital banners. They help businesses attract attention, convey messages effectively, and enhance visual appeal to drive engagement and conversions. However, the editorial segment is anticipated to have an absolute growth rate of 56.02% because of the rising application of illustrated editorial content, such as news coverage, essays, and documentaries. Additionally, technological advances in digital photography and video production have improved the quality and variety of available editorial stock media, further stimulating market growth.

Segmentation by Application
  • Commercial
  • Editorial
INSIGHTS BY END USERS

The global stock images and videos market by end users is segmented into marketers, film & tv producers, media & publishing companies, and business & individual creators. The marketers segment holds the most prominent global market share in 2023. Marketers drive demand by seeking high-quality visual content that aligns with their needs and campaigns. Marketers often require diverse and compelling imagery to effectively communicate brand messages, enhance advertising efforts, and engage their target audiences across various platforms. Further, the growing demand for improving movie experience is expected to boost the market for stock images and videos from films and TV producers, growing at a CAGR of over 7% during the forecast period. Film and TV producers use stock images in various stages of production to enhance efficiency, reduce costs, and maintain high-quality visual standards. They use stock images to create detailed storyboards and previsualizations.

Segmentation by End Users
  • Marketers
  • Films & TV Producers
  • Media & Publishing Companies
  • Business & Individual Creators
GEOGRAPHICAL ANALYSIS

North America dominated the global stock images and videos market, accounting for a share of over 40% in 2023. The presence of solid media and advertising companies in the U.S. and Canada has led to regional market growth. The region is also a major hub for advertising, particularly in Internet advertising, which commands the largest share of ad spend. Internet advertising is the fastest-growing medium in North America, while traditional newspapers are experiencing declining ad revenues. Over the past few years, North American advertising has surged significantly, driven largely by cyclical events such as the Olympics and elections. Technological advancements have profoundly impacted the industry, prompting magazines and newspapers to adopt new strategies to adapt to the shift of advertising budgets towards platforms like Facebook and Google, which facilitate ad placements on websites and YouTube videos. Furthermore, Europe's stock images and videos industry is driven by the rising expansion of small businesses (SMEs). For instance, in 2022, as per Eurostats, the value added of EU-27 SMEs increased by 6.7% in the non-financial business sector (NFBS). As a result, these businesses focus on branding and customization, which is anticipated to fuel market growth in the coming years.

Segmentation by Geography
  • North America
  • The U.S.
  • Canada
  • Europe
  • The U.K.
  • Germany
  • France
  • Spain
  • Russia
  • Italy
  • Sweden
  • Switzerland
  • Belgium
  • Netherlands
  • Poland
  • Turkey
  • APAC
  • China
  • India
  • Japan
  • Australia
  • South Korea
  • Indonesia
  • Taiwan
  • Philippines
  • New Zealand
  • Malaysia
  • Thailand
  • Middle East & Africa
  • UAE
  • South Africa
  • Saudi Arabia
  • Egypt
  • Nigeria
  • Kenya
  • Morocco
  • Latin America
  • Brazil
  • Mexico
  • Argentina
  • Colombia
  • Chile
  • Peru
  • Uruguay
VENDORS LANDSCAPE

The presence of a mix of well-established brands, emerging players, and niche producers highly consolidates the competitive landscape of the global stock images and videos market. Thus, companies are implementing various strategies, such as strategic alliances, partnerships, mergers and acquisitions, geographical expansion, and product or service launches, to enhance their presence in the market. For instance, In 2022, Shutterstock acquired Pond5, the largest video-first content marketplace. This acquisition allows Shutterstock to benefit from critical trends fueling demand for video content. Furthermore, the major vendors that dominate the global stock images and videos market are Adobe Stock, Getty Images, and Shutterstock. Several vendors in this market have a global presence, creating strong brand images for their products.

Key Company Profiles
  • Adobe Stock
  • Getty Images
  • Shutterstock
Other Prominent Vendors
  • Agence France Presse (AFP)
  • Alamy (PA Media Grop)
  • AP Images
  • Artlist
  • Canva
  • Coinaphoto
  • Creative Market (Dribbble)
  • DEATH TO STOCK LIMITED
  • Depositphotos (VistaPrint)
  • Dissolve
  • Dreamstime
  • East News
  • Envato Elements Pty Ltd (Shutterstock)
  • Freepik
  • Inmagine Group
  • ImagesBazaar (Mash Audio Visuals)
  • Masterfile
  • Newscom
  • NHK VIDEO BANK
  • PantherMedia
  • Photofolio
  • Picfair
  • PIXTA
  • Redux Pictures
  • STOCKLIB
  • Storyblocks (Great Hill Partners)
  • The Mega Agency
  • Reuters Pictures (Thomson Reuters)
  • WENN
  • Westend61
  • ZUMA Press
  • MorgueFile
  • Stockvault
  • picjumbo
  • Rawpixel Ltd.
  • MotionElements
  • PhotoShelter
  • Nature Picture Library
  • plainpicture
  • Science Photo Library Limited
  • Mambo Motion Studio
  • The Noun Project (Toptal)
  • Vecteezy
  • Anadolu Images
  • PIXERF
  • Brust by Shopify
  • Reshot (Zyro)
KEY QUESTIONS ANSWERED:

1. What is the growth rate of the global stock images and videos market?

2. How big is the global stock images and videos market?

3. Which region dominates the global stock images and videos market share?

4. Who are the key players in the global stock images and videos market?

5. What are the significant trends in the stock images and videos industry?


1. SCOPE & COVERAGE
1.1. MARKET DEFINITION
1.1.1. INCLUSIONS
1.1.2. EXCLUSIONS
1.1.3. MARKET ESTIMATION CAVEATS
1.2. SEGMENTS COVERED & DEFINITION
1.2.1. MARKET SEGMENTATION BY PRODUCT TYPE
1.2.2. MARKET SEGMENTATION BY SOURCE
1.2.3. MARKET SEGMENTATION BY LICENSE
1.2.4. MARKET SEGMENTATION BY PRICING MODEL
1.2.5. MARKET SEGMENTATION BY APPLICATION
1.2.6. MARKET SEGMENTATION BY END-USER
1.2.7. REGIONS & COUNTRIES COVERED
1.3. MARKET DERIVATION
1.3.1. HISTORIC, BASE, & FORECAST YEARS
2. PREMIUM INSIGHTS
2.1. OPPORTUNITY POCKETS
2.1.1. REGIONAL INSIGHTS
2.2. OVERVIEW
2.3. FUTURE MARKET TRENDS
2.3.1. INCREASING PENETRATION OF AI & MI IN STOCK CONTENT
2.4. RAPID SHIFT TO VERTICAL FORMATS
2.5. SEGMENTATION ANALYSIS
2.5.1. BY PRODUCT TYPE
2.5.2. BY SOURCE
2.5.3. BY APPLICATION
2.6. GEOGRAPHICAL ANALYSIS
2.7. VENDORS LANDSCAPE
3. MARKET AT A GLANCE
4. INTRODUCTION
4.1. OVERVIEW
4.1.1. KEY INSIGHTS
4.2. RISING SOCIAL MEDIA ADVERTISEMENTS
4.3. INCREASING GLOBAL EVENTS
4.4. GOVERNMENT REGULATIONS
4.5. MERGERS & ACQUISITIONS AND RECENT DEVELOPMENTS
4.6. GLOBAL DIGITAL VISUAL CONTENT MARKET
4.7. GLOBAL MEDIA LANDSCAPE
4.8. KEY ELEMENTS IN STOCK IMAGES & VIDEOS MARKET
4.8.1. SALES & DISTRIBUTION CHANNEL
4.8.2. CONTENT CONTRIBUTING COMMUNITY
4.8.3. MARKETING
4.8.4. COMPETITION
4.9. FUTURE OUTLOOK
4.10. PEST ANALYSIS
4.10.1. POLITICAL FACTORS
4.10.2. ECONOMIC FACTORS
4.10.3. SOCIAL FACTORS
4.10.4. TECHNOLOGICAL FACTORS
4.11. RISK FACTORS
5. MARKET OPPORTUNITIES & TRENDS
5.1. RISING PENETRATION OF ANIMATION PRODUCTION
5.2. RAPID SHIFT TO VERTICAL FORMATS
5.3. OTT PLATFORMS BOOSTING DEMAND FOR STOCK FOOTAGE
5.4. BLOCKCHAIN TECHNOLOGY MAKING INROADS
5.5. SOCIAL ISSUES TRUMP MINDLESS CONSUMERISM
5.6. INCREASING PENETRATION OF AI & ML IN STOCK CONTENT
5.7. POWERING UP VIA DISTRIBUTION DEALS
5.8. GROWTH OF DIGITAL PLATFORM INTEGRATIONS
5.9. MOBILE STOCK LOSING ITS SHEEN
5.10. DRONE-SHOT CONTENT IN VISUAL ARTS
6. MARKET GROWTH ENABLERS
6.1. GROWING E-LEARNING INDUSTRY
6.2. REINVENTION OF STORYTELLING
6.3. IMPROVING JOURNALISTIC VALUE
6.4. GROWTH OF DIGITAL COMMUNITIES IN HYPER-CONNECTED ECOSYSTEM
6.5. SOCIAL SHOWS SUSTAIN BUZZ IN STOCK CONTENT
6.6. GROWTH OF CONTENT AUTOMATION & PERSONALIZATION
6.7. CONSUMER BEHAVIOUR & AUTHENTICITY
7. MARKET RESTRAINTS
7.1. SHIFT IN DIGITAL CULTURE
7.2. COPYRIGHT INFRINGEMENT & BREACH OF LICENSES
7.3. PROLIFERATION OF SHOPPABLE SOCIAL COMMERCE
7.4. GLUT OF IMAGES
7.5. UNSUSTAINABLE BUSINESS MODELS
7.6. USER-GENERATED CONTENT EATING INTO MARKET
7.7. AUDIO ECLIPSING VIDEO
8. MARKET LANDSCAPE
8.1. MARKET SIZE & FORECAST
8.2. FIVE FORCES ANALYSIS
8.2.1. THREAT OF NEW ENTRANTS
8.2.2. BARGAINING POWER OF SUPPLIERS
8.2.3. BARGAINING POWER OF BUYERS
8.2.4. THREAT OF SUBSTITUTES
8.2.5. COMPETITIVE RIVALRY
9. PRODUCT TYPE
9.1. MARKET SNAPSHOT & GROWTH ENGINE
9.2. MARKET OVERVIEW
9.3. STOCK IMAGES
9.3.1. MARKET SIZE & FORECAST
9.3.2. HISTORIC: MARKET BY GEOGRAPHY
9.3.3. MARKET BY GEOGRAPHY
9.4. STOCK VIDEOS
9.4.1. MARKET SIZE & FORECAST
9.4.2. HISTORIC: MARKET BY GEOGRAPHY
9.4.3. MARKET BY GEOGRAPHY
10. SOURCE
10.1. MARKET SNAPSHOT & GROWTH ENGINE
10.2. MARKET OVERVIEW
10.3. MACROSTOCK
10.3.1. MARKET SIZE & FORECAST
10.3.2. HISTORIC: MARKET BY GEOGRAPHY
10.3.3. MARKET BY GEOGRAPHY
10.4. MICROSTOCK
10.4.1. MARKET SIZE & FORECAST
10.4.2. HISTORIC: MARKET BY GEOGRAPHY
10.4.3. MARKET BY GEOGRAPHY
11. LICENSE
11.1. MARKET SNAPSHOT & GROWTH ENGINE
11.2. MARKET OVERVIEW
11.3. RM (RIGHTS MANAGED)
11.3.1. MARKET SIZE & FORECAST
11.3.2. HISTORIC: MARKET BY GEOGRAPHY
11.3.3. MARKET BY GEOGRAPHY
11.4. RF (ROYALTY FREE)
11.4.1. MARKET SIZE & FORECAST
11.4.2. HISTORIC: MARKET BY GEOGRAPHY
11.4.3. MARKET BY GEOGRAPHY
12. PRICING MODEL
12.1. MARKET SNAPSHOT & GROWTH ENGINE
12.2. MARKET OVERVIEW
12.3. SUBSCRIPTION
12.3.1. MARKET SIZE & FORECAST
12.3.2. HISTORIC: MARKET BY GEOGRAPHY
12.3.3. MARKET BY GEOGRAPHY
12.4. PAY-PER-DOWNLOAD
12.4.1. MARKET SIZE & FORECAST
12.4.2. HISTORIC: MARKET BY GEOGRAPHY
12.4.3. MARKET BY GEOGRAPHY
13. APPLICATION
13.1. MARKET SNAPSHOT & GROWTH ENGINE
13.2. MARKET OVERVIEW
13.3. COMMERCIAL
13.3.1. MARKET SIZE & FORECAST
13.3.2. HISTORIC: MARKET BY GEOGRAPHY
13.3.3. MARKET BY GEOGRAPHY
13.4. EDITORIAL
13.4.1. MARKET SIZE & FORECAST
13.4.2. HISTORIC: MARKET BY GEOGRAPHY
13.4.3. MARKET BY GEOGRAPHY
14. END USERS
14.1. MARKET SNAPSHOT & GROWTH ENGINE
14.2. MARKET OVERVIEW
14.3. MARKETERS
14.3.1. MARKET SIZE & FORECAST
14.3.2. HISTORIC: MARKET BY GEOGRAPHY
14.3.3. MARKET BY GEOGRAPHY
14.4. FILMS & TV PRODUCERS
14.4.1. MARKET SIZE & FORECAST
14.4.2. HISTORIC: MARKET BY GEOGRAPHY
14.4.3. MARKET BY GEOGRAPHY
14.5. MEDIA & PUBLISHING COMPANIES
14.5.1. MARKET SIZE & FORECAST
14.5.2. HISTORIC: MARKET BY GEOGRAPHY
14.5.3. MARKET BY GEOGRAPHY
14.6. BUSINESSES & INDIVIDUAL CREATORS
14.6.1. MARKET SIZE & FORECAST
14.6.2. HISTORIC: MARKET BY GEOGRAPHY
14.6.3. MARKET BY GEOGRAPHY
15. GEOGRAPHY
15.1. MARKET SNAPSHOT & GROWTH ENGINE
15.2. GEOGRAPHIC OVERVIEW
16. NORTH AMERICA
16.1. MARKET SIZE & FORECAST
16.2. PRODUCT TYPE
16.2.1. HISTORIC: MARKET SIZE & FORECAST
16.2.2. MARKET SIZE & FORECAST
16.3. SOURCE
16.3.1. HISTORIC MARKET SIZE & FORECAST
16.3.2. MARKET SIZE & FORECAST
16.4. LICENSE
16.4.1. HISTORIC MARKET SIZE & FORECAST
16.4.2. MARKET SIZE & FORECAST
16.5. PRICING MODELS
16.5.1. HISTORIC MARKET SIZE & FORECAST
16.5.2. MARKET SIZE & FORECAST
16.6. APPLICATION
16.6.1. HISTORIC MARKET SIZE & FORECAST
16.6.2. MARKET SIZE & FORECAST
16.7. END-USERS
16.7.1. HISTORIC MARKET SIZE & FORECAST
16.7.2. MARKET SIZE & FORECAST
16.8. KEY COUNTRIES
16.8.1. US: MARKET SIZE & FORECAST
16.8.2. CANADA: MARKET SIZE & FORECAST
17. EUROPE
17.1. MARKET SIZE & FORECAST
17.2. PRODUCT TYPE
17.2.1. HISTORIC: MARKET SIZE & FORECAST
17.2.2. MARKET SIZE & FORECAST
17.3. SOURCE
17.3.1. HISTORIC: MARKET SIZE & FORECAST
17.3.2. MARKET SIZE & FORECAST
17.4. LICENSE
17.4.1. HISTORIC: MARKET SIZE & FORECAST
17.4.2. MARKET SIZE & FORECAST
17.5. PRICING MODELS
17.5.1. HISTORIC: MARKET SIZE & FORECAST
17.5.2. MARKET SIZE & FORECAST
17.6. APPLICATION
17.6.1. HISTORIC: MARKET SIZE & FORECAST
17.6.2. MARKET SIZE & FORECAST
17.7. END-USERS
17.7.1. HISTORIC: MARKET SIZE & FORECAST
17.7.2. MARKET SIZE & FORECAST
17.8. KEY COUNTRIES
17.8.1. UK: MARKET SIZE & FORECAST
17.8.2. GERMANY: MARKET SIZE & FORECAST
17.8.3. FRANCE: MARKET SIZE & FORECAST
17.8.4. SPAIN: MARKET SIZE & FORECAST
17.8.5. RUSSIA: MARKET SIZE & FORECAST
17.8.6. ITALY: MARKET SIZE & FORECAST
17.8.7. SWEDEN: MARKET SIZE & FORECAST
17.8.8. SWITZERLAND: MARKET SIZE & FORECAST
17.8.9. BELGIUM: MARKET SIZE & FORECAST
17.8.10. NETHERLANDS: MARKET SIZE & FORECAST
17.8.11. POLAND: MARKET SIZE & FORECAST
17.8.12. TURKEY: MARKET SIZE & FORECAST
18. APAC
18.1. MARKET SIZE & FORECAST
18.2. PRODUCT TYPE
18.2.1. HISTORIC: MARKET SIZE & FORECAST
18.2.2. MARKET SIZE & FORECAST
18.3. SOURCE
18.3.1. HISTORIC: MARKET SIZE & FORECAST
18.3.2. MARKET SIZE & FORECAST
18.4. LICENSE
18.4.1. HISTORIC: MARKET SIZE & FORECAST
18.4.2. MARKET SIZE & FORECAST
18.5. PRICING MODELS
18.5.1. HISTORIC: MARKET SIZE & FORECAST
18.5.2. MARKET SIZE & FORECAST
18.6. APPLICATION
18.6.1. HISTORIC: MARKET SIZE & FORECAST
18.6.2. MARKET SIZE & FORECAST
18.7. END-USERS
18.7.1. HISTORIC: MARKET SIZE & FORECAST
18.7.2. MARKET SIZE & FORECAST
18.8. KEY COUNTRIES
18.8.1. CHINA: MARKET SIZE & FORECAST
18.8.2. INDIA: MARKET SIZE & FORECAST
18.8.3. JAPAN: MARKET SIZE & FORECAST
18.8.4. AUSTRALIA: MARKET SIZE & FORECAST
18.8.5. SOUTH KOREA: MARKET SIZE & FORECAST
18.8.6. INDONESIA: MARKET SIZE & FORECAST
18.8.7. TAIWAN: MARKET SIZE & FORECAST
18.8.8. PHILIPPINES: MARKET SIZE & FORECAST
18.8.9. NEW ZEALAND: MARKET SIZE & FORECAST
18.8.10. MALAYSIA: MARKET SIZE & FORECAST
18.8.11. THAILAND: MARKET SIZE & FORECAST
19. MIDDLE EAST & AFRICA
19.1. MARKET SIZE & FORECAST
19.2. PRODUCT TYPE
19.2.1. HISTORIC: MARKET SIZE & FORECAST
19.2.2. MARKET SIZE & FORECAST
19.3. SOURCE
19.3.1. HISTORIC: MARKET SIZE & FORECAST
19.3.2. MARKET SIZE & FORECAST
19.4. LICENSE
19.4.1. HISTORIC: MARKET SIZE & FORECAST
19.4.2. MARKET SIZE & FORECAST
19.5. PRICING MODELS
19.5.1. HISTORIC: MARKET SIZE & FORECAST
19.5.2. MARKET SIZE & FORECAST
19.6. APPLICATION
19.6.1. HISTORIC: MARKET SIZE & FORECAST
19.6.2. MARKET SIZE & FORECAST
19.7. END-USERS
19.7.1. HISTORIC: MARKET SIZE & FORECAST
19.7.2. MARKET SIZE & FORECAST
19.8. KEY COUNTRIES
19.8.1. UAE: MARKET SIZE & FORECAST
19.8.2. SOUTH AFRICA: MARKET SIZE & FORECAST
19.8.3. SAUDI ARABIA: MARKET SIZE & FORECAST
19.8.4. EGYPT: MARKET SIZE & FORECAST
19.8.5. NIGERIA: MARKET SIZE & FORECAST
19.8.6. KENYA: MARKET SIZE & FORECAST
19.8.7. MOROCCO: MARKET SIZE & FORECAST
20. LATIN AMERICA
20.1. MARKET SIZE & FORECAST
20.2. PRODUCT TYPE
20.2.1. HISTORIC: MARKET SIZE & FORECAST
20.2.2. MARKET SIZE & FORECAST
20.3. SOURCE
20.3.1. HISTORIC: MARKET SIZE & FORECAST
20.3.2. MARKET SIZE & FORECAST
20.4. LICENSE
20.4.1. HISTORIC: MARKET SIZE & FORECAST
20.4.2. MARKET SIZE & FORECAST
20.5. PRICING MODELS
20.5.1. HISTORIC: MARKET SIZE & FORECAST
20.5.2. MARKET SIZE & FORECAST
20.6. APPLICATION
20.6.1. HISTORIC: MARKET SIZE & FORECAST
20.6.2. MARKET SIZE & FORECAST
20.7. END-USERS
20.7.1. HISTORIC: MARKET SIZE & FORECAST
20.7.2. MARKET SIZE & FORECAST
20.8. KEY COUNTRIES
20.8.1. BRAZIL: MARKET SIZE & FORECAST
20.8.2. MEXICO: MARKET SIZE & FORECAST
20.8.3. ARGENTINA: MARKET SIZE & FORECAST
20.8.4. COLOMBIA: MARKET SIZE & FORECAST
20.8.5. CHILE: MARKET SIZE & FORECAST
20.8.6. PERU: MARKET SIZE & FORECAST
20.8.7. URUGUAY: MARKET SIZE & FORECAST
21. COMPETITIVE LANDSCAPE
21.1. COMPETITION OVERVIEW
22. KEY COMPANY PROFILES
22.1. ADOBE STOCK
22.1.1. BUSINESS OVERVIEW
22.1.2. PRODUCT OFFERINGS
22.1.3. KEY STRATEGIES
22.1.4. KEY STRENGTHS
22.1.5. KEY OPPORTUNITIES
22.2. GETTY IMAGES
22.2.1. BUSINESS OVERVIEW
22.2.2. PRODUCT OFFERINGS
22.2.3. KEY STRATEGIES
22.2.4. KEY STRENGTHS
22.2.5. KEY OPPORTUNITIES
22.3. SHUTTERSTOCK
22.3.1. BUSINESS OVERVIEW
22.3.2. PRODUCT OFFERINGS
22.3.3. KEY STRATEGIES
22.3.4. KEY STRENGTHS
22.3.5. KEY OPPORTUNITIES
23. OTHER PROMINENT VENDORS
23.1. AGENCE FRANCE PRESSE (AFP)
23.1.1. BUSINESS OVERVIEW
23.1.2. PRODUCT OFFERINGS
23.1.3. KEY STRATEGIES
23.1.4. KEY STRENGTHS
23.2. ALAMY (PA MEDIA GROUP)
23.2.1. BUSINESS OVERVIEW
23.2.2. PRODUCT OFFERINGS
23.2.3. KEY STRATEGIES
23.2.4. KEY STRENGTHS
23.3. AP IMAGES
23.3.1. BUSINESS OVERVIEW
23.3.2. PRODUCT OFFERINGS
23.3.3. KEY STRATEGIES
23.3.4. KEY STRENGTHS
23.4. ARTLIST
23.4.1. BUSINESS OVERVIEW
23.4.2. PRODUCT OFFERINGS
23.4.3. KEY STRENGTHS
23.4.4. KEY STRATEGIES
23.5. CANVA
23.5.1. BUSINESS OVERVIEW
23.5.2. PRODUCT OFFERINGS
23.5.3. KEY STRATEGIES
23.5.4. KEY STRENGTHS
23.6. COINAPHOTO
23.6.1. BUSINESS OVERVIEW
23.6.2. PRODUCT OFFERINGS
23.6.3. KEY STRATEGIES
23.6.4. KEY STRENGTHS
23.7. CREATIVE MARKET (DRIBBBLE)
23.7.1. BUSINESS OVERVIEW
23.7.2. PRODUCT OFFERINGS
23.7.3. KEY STRATEGIES
23.7.4. KEY STRENGTHS
23.8. DEATH TO STOCK LIMITED
23.8.1. BUSINESS OVERVIEW
23.8.2. PRODUCT OFFERINGS
23.8.3. KEY STRATEGIES
23.8.4. KEY STRENGTHS
23.9. DEPOSITPHOTOS (VISTAPRINT)
23.9.1. BUSINESS OVERVIEW
23.9.2. PRODUCT OFFERINGS
23.9.3. KEY STRATEGIES
23.9.4. KEY STRENGTHS
23.10. DISSOLVE
23.10.1. BUSINESS OVERVIEW
23.10.2. PRODUCT OFFERINGS
23.10.3. KEY STRATEGIES
23.10.4. KEY STRENGTHS
23.11. DREAMSTIME
23.11.1. BUSINESS OVERVIEW
23.11.2. PRODUCT OFFERINGS
23.11.3. KEY STRATEGIES
23.11.4. KEY STRENGTHS
23.12. EAST NEWS
23.12.1. BUSINESS OVERVIEW
23.12.2. PRODUCT OFFERINGS
23.12.3. KEY STRENGTHS
23.12.4. KEY STRATEGIES
23.13. ENVATO ELEMENTS PTY LTD (SHUTTERSTOCK)
23.13.1. BUSINESS OVERVIEW
23.13.2. PRODUCT OFFERINGS
23.13.3. KEY STRENGTHS
23.13.4. KEY STRATEGIES
23.14. FREEPIK
23.14.1. BUSINESS OVERVIEW
23.14.2. PRODUCT OFFERINGS
23.14.3. KEY STRATEGIES
23.14.4. KEY STRENGTHS
23.15. INMAGINE GROUP
23.15.1. BUSINESS OVERVIEW
23.15.2. PRODUCT OFFERINGS
23.15.3. KEY STRATEGIES
23.15.4. KEY STRENGTHS
23.16. IMAGESBAZAAR (MASH AUDIO VISUALS)
23.16.1. BUSINESS OVERVIEW
23.16.2. PRODUCT OFFERINGS
23.16.3. KEY STRATEGIES
23.16.4. KEY STRENGTHS
23.17. MASTERFILE
23.17.1. BUSINESS OVERVIEW
23.17.2. PRODUCT OFFERINGS
23.17.3. KEY STRATEGIES
23.17.4. KEY STRENGTHS
23.18. NEWSCOM
23.18.1. BUSINESS OVERVIEW
23.18.2. PRODUCT OFFERINGS
23.18.3. KEY STRATEGIES
23.18.4. KEY STRENGTHS
23.19. NHK VIDEO BANK
23.19.1. BUSINESS OVERVIEW
23.19.2. PRODUCT OFFERINGS
23.19.3. KEY STRATEGIES
23.19.4. KEY STRENGTHS
23.20. PANTHERMEDIA
23.20.1. BUSINESS OVERVIEW
23.20.2. PRODUCT OFFERINGS
23.20.3. KEY STRATEGIES
23.20.4. KEY STRENGTHS
23.21. PHOTOFOLIO
23.21.1. BUSINESS OVERVIEW
23.21.2. PRODUCT OFFERINGS
23.21.3. KEY STRATEGIES
23.21.4. KEY STRENGTHS
23.22. PICFAIR
23.22.1. BUSINESS OVERVIEW
23.22.2. PRODUCT OFFERINGS
23.22.3. KEY STRATEGIES
23.22.4. KEY STRENGTHS
23.23. PIXTA
23.23.1. BUSINESS OVERVIEW
23.23.2. PRODUCT OFFERINGS
23.23.3. KEY STRATEGIES
23.23.4. KEY STRENGTHS
23.24. REDUXE PICTURES
23.24.1. BUSINESS OVERVIEW
23.24.2. PRODUCT OFFERINGS
23.24.3. KEY STRENGTHS
23.24.4. KEY STRATEGIES
23.25. STOCKLIB
23.25.1. BUSINESS OVERVIEW
23.25.2. PRODUCT OFFERINGS
23.25.3. KEY STRATEGIES
23.25.4. KEY STRENGTHS
23.26. STORYBLOCKS (GREAT HILL PARTNERS)
23.26.1. BUSINESS OVERVIEW
23.26.2. PRODUCT OFFERINGS
23.26.3. KEY STRATEGIES
23.26.4. KEY STRENGTHS
23.27. THE MEGA AGENCY
23.27.1. BUSINESS OVERVIEW
23.27.2. PRODUCT OFFERINGS
23.27.3. KEY STRATEGIES
23.27.4. KEY STRENGTHS
23.28. REUTERS PICTURES (THOMSON REUTERS)
23.28.1. BUSINESS OVERVIEW
23.28.2. PRODUCT OFFERINGS
23.28.3. KEY STRATEGIES
23.28.4. KEY STRENGTHS
23.29. WENN
23.29.1. BUSINESS OVERVIEW
23.29.2. PRODUCT OFFERINGS
23.29.3. KEY STRATEGIES
23.29.4. KEY STRENGTHS
23.30. WESTEND61
23.30.1. BUSINESS OVERVIEW
23.30.2. PRODUCT OFFERINGS
23.30.3. KEY STRATEGIES
23.30.4. KEY STRENGTHS
23.31. ZUMA PRESS
23.31.1. BUSINESS OVERVIEW
23.31.2. PRODUCT OFFERINGS
23.31.3. KEY STRATEGIES
23.31.4. KEY STRENGTHS
23.32. MORGUEFILE
23.32.1. BUSINESS OVERVIEW
23.32.2. PRODUCT OFFERINGS
23.32.3. KEY STRATEGIES
23.32.4. KEY STRENGTHS
23.33. STOCKVAULT
23.33.1. BUSINESS OVERVIEW
23.33.2. PRODUCT OFFERINGS
23.33.3. KEY STRATEGIES
23.33.4. KEY STRENGTHS
23.34. PICJUMBO
23.34.1. BUSINESS OVERVIEW
23.34.2. PRODUCT OFFERINGS
23.34.3. KEY STRATEGIES
23.34.4. KEY STRENGTHS
23.35. RAWPIXEL LTD.
23.35.1. BUSINESS OVERVIEW
23.35.2. PRODUCT OFFERINGS
23.35.3. KEY STRATEGIES
KEY STRENGTHS
23.36. MOTIONELEMENTS
23.36.1. BUSINESS OVERVIEW
23.36.2. PRODUCT OFFERINGS
23.36.3. KEY STRATEGIES
23.36.4. KEY STRENGTHS
23.37. PHOTOSHELTER
23.37.1. BUSINESS OVERVIEW
23.37.2. PRODUCT OFFERINGS
23.37.3. KEY STRATEGIES
23.37.4. KEY STRENGTHS
23.38. NATURE PICTURE LIBRARY
23.38.1. BUSINESS OVERVIEW
23.38.2. PRODUCT OFFERINGS
23.38.3. KEY STRATEGIES
23.38.4. KEY STRENGTHS
23.39. PLAINPICTURE
23.39.1. BUSINESS OVERVIEW
23.39.2. PRODUCT OFFERINGS
23.39.3. KEY STRATEGIES
23.39.4. KEY STRENGTHS
23.40. SCIENCE PHOTO LIBRARY LIMITED
23.40.1. BUSINESS OVERVIEW
23.40.2. PRODUCT OFFERINGS
23.40.3. KEY STRATEGIES
23.40.4. KEY STRENGTHS
23.41. MAMBO MOTION STUDIO
23.41.1. BUSINESS OVERVIEW
23.41.2. PRODUCT OFFERINGS
23.41.3. KEY STRATEGIES
23.41.4. KEY STRENGTHS
23.42. THE NOUN PROJECT (TOPTAL)
23.42.1. BUSINESS OVERVIEW
23.42.2. PRODUCT OFFERINGS
23.42.3. KEY STRATEGIES
23.42.4. KEY STRENGTHS
23.43. VECTEEZY
23.43.1. BUSINESS OVERVIEW
23.43.2. PRODUCT OFFERINGS
23.43.3. KEY STRATEGIES
23.43.4. KEY STRENGTHS
23.44. ANADOLU IMAGES
23.44.1. BUSINESS OVERVIEW
23.44.2. PRODUCT OFFERINGS
23.44.3. KEY STRATEGIES
23.44.4. KEY STRENGTHS
23.45. PIXERF
23.45.1. BUSINESS OVERVIEW
23.45.2. PRODUCT OFFERINGS
23.45.3. KEY STRATEGIES
23.45.4. KEY STRENGTHS
23.46. BURST BY SHOPIFY
23.46.1. BUSINESS OVERVIEW
23.46.2. PRODUCT OFFERINGS
23.46.3. KEY STRATEGIES
23.46.4. KEY STRENGTHS
23.47. RESHOT (ZYRO)
23.47.1. BUSINESS OVERVIEW
23.47.2. PRODUCT OFFERINGS
23.47.3. KEY STRATEGIES
23.47.4. KEY STRENGTHS
24. REPORT SUMMARY
24.1. KEY TAKEAWAYS
24.2. STRATEGIC RECOMMENDATIONS
25. QUANTITATIVE SUMMARY
25.1. HISTORIC: MARKET BY GEOGRAPHY
25.2. MARKET BY GEOGRAPHY
25.3. PRODUCT TYPE
25.3.1. HISTORIC: MARKET SIZE & FORECAST
25.3.2. MARKET SIZE & FORECAST
25.4. SOURCE
25.4.1. HISTORIC: MARKET SIZE & FORECAST
25.4.2. MARKET SIZE & FORECAST
25.5. LICENSE
25.5.1. HISTORIC: MARKET SIZE & FORECAST
25.5.2. MARKET SIZE & FORECAST
25.6. PRICING MODELS
25.6.1. HISTORIC: MARKET SIZE & FORECAST
25.6.2. MARKET SIZE & FORECAST
25.7. APPLICATION
25.7.1. HISTORIC: MARKET SIZE & FORECAST
25.7.2. MARKET SIZE & FORECAST
25.8. END-USERS
25.8.1. HISTORIC: MARKET SIZE & FORECAST
25.8.2. MARKET SIZE & FORECAST
25.9. PRODUCT TYPE
25.9.1. HISTORIC: MARKET SIZE & FORECAST
25.9.2. MARKET SIZE & FORECAST
25.10. SOURCE
25.10.1. HISTORIC MARKET SIZE & FORECAST
25.10.2. MARKET SIZE & FORECAST
25.11. LICENSE
25.11.1. HISTORIC MARKET SIZE & FORECAST
25.11.2. MARKET SIZE & FORECAST
26. NORTH AMERICA
26.1. PRODUCT TYPE
26.1.1. HISTORIC: MARKET SIZE & FORECAST
26.1.2. MARKET SIZE & FORECAST
26.2. SOURCE
26.2.1. HISTORIC MARKET SIZE & FORECAST
26.2.2. MARKET SIZE & FORECAST
26.3. LICENSE
26.3.1. HISTORIC MARKET SIZE & FORECAST
26.3.2. MARKET SIZE & FORECAST
26.4. PRICING MODELS
26.4.1. HISTORIC MARKET SIZE & FORECAST
26.4.2. MARKET SIZE & FORECAST
26.5. APPLICATION
26.5.1. HISTORIC MARKET SIZE & FORECAST
26.5.2. MARKET SIZE & FORECAST
26.6. END-USERS
26.6.1. HISTORIC MARKET SIZE & FORECAST
26.6.2. MARKET SIZE & FORECAST
27. EUROPE
27.1. PRODUCT TYPE
27.1.1. HISTORIC: MARKET SIZE & FORECAST
27.1.2. MARKET SIZE & FORECAST
27.2. SOURCE
27.2.1. HISTORIC: MARKET SIZE & FORECAST
27.2.2. MARKET SIZE & FORECAST
27.3. LICENSE
27.3.1. HISTORIC: MARKET SIZE & FORECAST
27.3.2. MARKET SIZE & FORECAST
27.4. PRICING MODELS
27.4.1. HISTORIC: MARKET SIZE & FORECAST
27.4.2. MARKET SIZE & FORECAST
27.5. APPLICATION
27.5.1. HISTORIC: MARKET SIZE & FORECAST
27.5.2. MARKET SIZE & FORECAST
27.6. END-USERS
27.6.1. HISTORIC: MARKET SIZE & FORECAST
27.6.2. MARKET SIZE & FORECAST
28. APAC
28.1. PRODUCT TYPE
28.1.1. HISTORIC: MARKET SIZE & FORECAST
28.1.2. MARKET SIZE & FORECAST
28.2. SOURCE
28.2.1. HISTORIC: MARKET SIZE & FORECAST
28.2.2. MARKET SIZE & FORECAST
28.3. LICENSE
28.3.1. HISTORIC: MARKET SIZE & FORECAST
28.3.2. MARKET SIZE & FORECAST
28.4. PRICING MODELS
28.4.1. HISTORIC: MARKET SIZE & FORECAST
28.4.2. MARKET SIZE & FORECAST
28.5. APPLICATION
28.5.1. HISTORIC: MARKET SIZE & FORECAST
28.5.2. MARKET SIZE & FORECAST
28.6. END-USERS
28.6.1. HISTORIC: MARKET SIZE & FORECAST
28.6.2. MARKET SIZE & FORECAST
29. MIDDLE EAST & AFRICA
29.1. PRODUCT TYPE
29.1.1. HISTORIC: MARKET SIZE & FORECAST
29.1.2. MARKET SIZE & FORECAST
29.2. SOURCE
29.2.1. HISTORIC: MARKET SIZE & FORECAST
29.2.2. MARKET SIZE & FORECAST
29.3. LICENSE
29.3.1. HISTORIC: MARKET SIZE & FORECAST
29.3.2. MARKET SIZE & FORECAST
29.4. PRICING MODELS
29.4.1. HISTORIC: MARKET SIZE & FORECAST
29.4.2. MARKET SIZE & FORECAST
29.5. APPLICATION
29.5.1. HISTORIC: MARKET SIZE & FORECAST
29.5.2. MARKET SIZE & FORECAST
29.6. END-USERS
29.6.1. HISTORIC: MARKET SIZE & FORECAST
29.6.2. MARKET SIZE & FORECAST
30. LATIN AMERICA
30.1. PRODUCT TYPE
30.1.1. HISTORIC: MARKET SIZE & FORECAST
30.1.2. MARKET SIZE & FORECAST
30.2. SOURCE
30.2.1. HISTORIC: MARKET SIZE & FORECAST
30.2.2. MARKET SIZE & FORECAST
30.3. LICENSE
30.3.1. HISTORIC: MARKET SIZE & FORECAST
30.3.2. MARKET SIZE & FORECAST
30.4. PRICING MODELS
30.4.1. HISTORIC: MARKET SIZE & FORECAST
30.4.2. MARKET SIZE & FORECAST
30.5. APPLICATION
30.5.1. HISTORIC: MARKET SIZE & FORECAST
30.5.2. MARKET SIZE & FORECAST
30.6. END-USERS
30.6.1. HISTORIC: MARKET SIZE & FORECAST
30.6.2. MARKET SIZE & FORECAST
31. APPENDIX
31.1. RESEARCH METHODOLOGY
31.2. RESEARCH PROCESS
31.3. REPORT ASSUMPTIONS & CAVEATS
31.3.1. KEY CAVEATS
31.3.2. CURRENCY CONVERSION
31.4. ABBREVIATIONS

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