Metaverse in Entertainment Market By Component (Hardware, Software, Service), By Technology (Blockchain, Virtual Reality and Augmented Reality, Mixed Reality, Others), By Application (Film Production, Music Labels, OTT Platforms, Television Broadcasters, Others): Global Opportunity Analysis and Industry Forecast, 2022-2031
The metaverse services have the potential to transfigure the fundamental nature of digital media consumption and social interactions for anyone with an internet connection. It combines elements of social media, online games, and video communication tools to devise a neoteric and immersive experience, one that fuses disparate digital media experiences into a single, borderless meta-universe with persistent events, spaces, objects, and economies, all in real-time.
Furthermore, with the extensive growth and expansion of virtual events and digital innovations in the metaverse, the media & entertainment industry has undergone various transformations. Moreover, the additive value that metaverse services can create for entertainment businesses preeminently boils down to three core functionalities: unlocking fan creativity, immersive storytelling, and world-building. The inclusion of these features augments audience engagement and complements franchise-building, fulfilling the requisites of any new-age entertainment brand.
Increase in consumer spending across virtual concerts, events, and others drives the market growth of metaverse in entertainment market. In addition, the ability of metaverse to cater to the desire of users to connect with a community fuels the growth of the metaverse in entertainment market. Since, the social media connections are made possible by metaverse development technologies. The basics of integrating metaverse in the entertainment sector introduce a 3D plane that is not restricted to viewing people on mobile devices or computers and hearing their voices. Together, augmented reality and virtual reality allow for the intense creation of realistic experiences that surpass the capabilities of the most recent social media features.
However, for instance, one of the features of the metaverse is multi-sensor fusion and the metaverse's supporting technologies make extensive use of sensors. These sensors are essential as they allow users to experience an immersive version of the metaverse and gather a huge amount of information about the user, including social, physiological, physical, and biometric data. As a result, the main obstacles restricting the spread of the metaverse in the entertainment market are privacy and security concerns. Contrarily, the initiatives for the advancements of digital transformation of a metaverse in the entertainment industry such as using blocking technology in metaverse can contribute a lot to digital transformation. In addition, the use of blockchain applications in metaverse is anticipated to enable users to emerge in an immersive digital space to experience complete autonomy and trust within the metaverse. Therefore, these factors are expected to provide numerous opportunities for the expansion of the metaverse in entertainment market during the forecast period.
The metaverse in entertainment market is segmented on the basis of component, technology, application, and region. By component, it is categorized into hardware, software, and service. By technology, the market is divided into blockchain, virtual & augmented reality, mixed reality, and others. By application, it is classified into film production, music labels, OTT platforms, television broadcasters, and others. By region, it is analyzed across North America, Europe, Asia Pacific, and LAMEA.
The report analyzes the profiles of key players operating in the metaverse in entertainment market such as Epic Games, Inc., Hungama Digital Media Entertainment Pvt. Ltd., Meta, Niantic, Inc., Overactive Media Group, Qualcomm Technologies, Inc., QUEPPELIN, Roblox Corporation, Tencent, and Tetavi. These players have adopted various strategies to increase their market penetration and strengthen their position in the metaverse in entertainment industry.
Key benefits for stakeholders
The study provides an in-depth analysis of the global metaverse in entertainment market along with the current trends and future estimations to elucidate imminent investment pockets.
Information about key drivers, restrains, and opportunities and their impact analysis on the market size is provided in the report.
The Porter’s five forces analysis illustrates the potency of buyers and suppliers operating in the industry.
The quantitative analysis of the global metaverse in entertainment market for the period 2021–2031 is provided to determine the market potential.
Technology Trend Analysis
Strategic Recommedations
Additional company profiles with specific to client's interest
Additional country or region analysis- market size and forecast
SWOT Analysis
Key Market Segments
By Technology
Blockchain
Virtual Reality and Augmented Reality
Mixed Reality
Others
By Component
Hardware
Software
Service
By Application
Film Production
Music Labels
OTT Platforms
Television Broadcasters
Others
By Region
North America
U.S.
Canada
Europe
UK
Germany
France
Italy
Spain
Rest of Europe
Asia-Pacific
China
Japan
India
Australia
South Korea
Rest of Asia-Pacific
LAMEA
Latin America
Middle East
Africa
Key Market Players
QUEPPELIN
Meta
Niantic, Inc.
Overactive Media Group
Tencent
Epic Games, Inc.
Qualcomm Technologies, Inc.
Tetavi
Roblox Corporation
Hungama Digital Media Entertainment Pvt. Ltd.
Please Note: It will take 7-10 business days to complete the report upon order confirmation.
- CHAPTER 1: INTRODUCTION
- 1.1. Report description
- 1.2. Key market segments
- 1.3. Key benefits to the stakeholders
- 1.4. Research methodology
- 1.4.1. Primary research
- 1.4.2. Secondary research
- 1.4.3. Analyst tools and models
- CHAPTER 2: EXECUTIVE SUMMARY
- 2.1. CXO Perspective
- CHAPTER 3: MARKET OVERVIEW
- 3.1. Market definition and scope
- 3.2. Key findings
- 3.2.1. Top impacting factors
- 3.2.2. Top investment pockets
- 3.3. Porter’s five forces analysis
- 3.3.1. High bargaining power of suppliers
- 3.3.2. Moderate threat of new entrants
- 3.3.3. High threat of substitutes
- 3.3.4. Moderate intensity of rivalry
- 3.3.5. Moderate bargaining power of buyers
- 3.4. Market dynamics
- 3.4.1. Drivers
- 3.4.1.1. Increase in consumer spending across virtual concerts, events, and others.
- 3.4.1.2. The ability of metaverse to cater to the desire of users to connect with a community.
- 3.4.2. Restraints
- 3.4.2.1. Privacy and security concerns
- 3.4.2.2. The high cost of AR and VR devices
- 3.4.3. Opportunities
- 3.4.3.1. The advancements of digital transformation of a metaverse in the entertainment industry
- CHAPTER 4: METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT
- 4.1. Overview
- 4.1.1. Market size and forecast
- 4.2. Hardware
- 4.2.1. Key market trends, growth factors and opportunities
- 4.2.2. Market size and forecast, by region
- 4.2.3. Market share analysis by country
- 4.3. Software
- 4.3.1. Key market trends, growth factors and opportunities
- 4.3.2. Market size and forecast, by region
- 4.3.3. Market share analysis by country
- 4.4. Service
- 4.4.1. Key market trends, growth factors and opportunities
- 4.4.2. Market size and forecast, by region
- 4.4.3. Market share analysis by country
- CHAPTER 5: METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY
- 5.1. Overview
- 5.1.1. Market size and forecast
- 5.2. Blockchain
- 5.2.1. Key market trends, growth factors and opportunities
- 5.2.2. Market size and forecast, by region
- 5.2.3. Market share analysis by country
- 5.3. Virtual Reality and Augmented Reality
- 5.3.1. Key market trends, growth factors and opportunities
- 5.3.2. Market size and forecast, by region
- 5.3.3. Market share analysis by country
- 5.4. Mixed Reality
- 5.4.1. Key market trends, growth factors and opportunities
- 5.4.2. Market size and forecast, by region
- 5.4.3. Market share analysis by country
- 5.5. Others
- 5.5.1. Key market trends, growth factors and opportunities
- 5.5.2. Market size and forecast, by region
- 5.5.3. Market share analysis by country
- CHAPTER 6: METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION
- 6.1. Overview
- 6.1.1. Market size and forecast
- 6.2. Film Production
- 6.2.1. Key market trends, growth factors and opportunities
- 6.2.2. Market size and forecast, by region
- 6.2.3. Market share analysis by country
- 6.3. Music Labels
- 6.3.1. Key market trends, growth factors and opportunities
- 6.3.2. Market size and forecast, by region
- 6.3.3. Market share analysis by country
- 6.4. OTT Platforms
- 6.4.1. Key market trends, growth factors and opportunities
- 6.4.2. Market size and forecast, by region
- 6.4.3. Market share analysis by country
- 6.5. Television Broadcasters
- 6.5.1. Key market trends, growth factors and opportunities
- 6.5.2. Market size and forecast, by region
- 6.5.3. Market share analysis by country
- 6.6. Others
- 6.6.1. Key market trends, growth factors and opportunities
- 6.6.2. Market size and forecast, by region
- 6.6.3. Market share analysis by country
- CHAPTER 7: METAVERSE IN ENTERTAINMENT MARKET, BY REGION
- 7.1. Overview
- 7.1.1. Market size and forecast By Region
- 7.2. North America
- 7.2.1. Key market trends, growth factors and opportunities
- 7.2.2. Market size and forecast, by Component
- 7.2.3. Market size and forecast, by Technology
- 7.2.4. Market size and forecast, by Application
- 7.2.5. Market size and forecast, by country
- 7.2.5.1. U.S.
- 7.2.5.1.1. Market size and forecast, by Component
- 7.2.5.1.2. Market size and forecast, by Technology
- 7.2.5.1.3. Market size and forecast, by Application
- 7.2.5.2. Canada
- 7.2.5.2.1. Market size and forecast, by Component
- 7.2.5.2.2. Market size and forecast, by Technology
- 7.2.5.2.3. Market size and forecast, by Application
- 7.3. Europe
- 7.3.1. Key market trends, growth factors and opportunities
- 7.3.2. Market size and forecast, by Component
- 7.3.3. Market size and forecast, by Technology
- 7.3.4. Market size and forecast, by Application
- 7.3.5. Market size and forecast, by country
- 7.3.5.1. UK
- 7.3.5.1.1. Market size and forecast, by Component
- 7.3.5.1.2. Market size and forecast, by Technology
- 7.3.5.1.3. Market size and forecast, by Application
- 7.3.5.2. Germany
- 7.3.5.2.1. Market size and forecast, by Component
- 7.3.5.2.2. Market size and forecast, by Technology
- 7.3.5.2.3. Market size and forecast, by Application
- 7.3.5.3. France
- 7.3.5.3.1. Market size and forecast, by Component
- 7.3.5.3.2. Market size and forecast, by Technology
- 7.3.5.3.3. Market size and forecast, by Application
- 7.3.5.4. Italy
- 7.3.5.4.1. Market size and forecast, by Component
- 7.3.5.4.2. Market size and forecast, by Technology
- 7.3.5.4.3. Market size and forecast, by Application
- 7.3.5.5. Spain
- 7.3.5.5.1. Market size and forecast, by Component
- 7.3.5.5.2. Market size and forecast, by Technology
- 7.3.5.5.3. Market size and forecast, by Application
- 7.3.5.6. Rest of Europe
- 7.3.5.6.1. Market size and forecast, by Component
- 7.3.5.6.2. Market size and forecast, by Technology
- 7.3.5.6.3. Market size and forecast, by Application
- 7.4. Asia-Pacific
- 7.4.1. Key market trends, growth factors and opportunities
- 7.4.2. Market size and forecast, by Component
- 7.4.3. Market size and forecast, by Technology
- 7.4.4. Market size and forecast, by Application
- 7.4.5. Market size and forecast, by country
- 7.4.5.1. China
- 7.4.5.1.1. Market size and forecast, by Component
- 7.4.5.1.2. Market size and forecast, by Technology
- 7.4.5.1.3. Market size and forecast, by Application
- 7.4.5.2. Japan
- 7.4.5.2.1. Market size and forecast, by Component
- 7.4.5.2.2. Market size and forecast, by Technology
- 7.4.5.2.3. Market size and forecast, by Application
- 7.4.5.3. India
- 7.4.5.3.1. Market size and forecast, by Component
- 7.4.5.3.2. Market size and forecast, by Technology
- 7.4.5.3.3. Market size and forecast, by Application
- 7.4.5.4. Australia
- 7.4.5.4.1. Market size and forecast, by Component
- 7.4.5.4.2. Market size and forecast, by Technology
- 7.4.5.4.3. Market size and forecast, by Application
- 7.4.5.5. South Korea
- 7.4.5.5.1. Market size and forecast, by Component
- 7.4.5.5.2. Market size and forecast, by Technology
- 7.4.5.5.3. Market size and forecast, by Application
- 7.4.5.6. Rest of Asia-Pacific
- 7.4.5.6.1. Market size and forecast, by Component
- 7.4.5.6.2. Market size and forecast, by Technology
- 7.4.5.6.3. Market size and forecast, by Application
- 7.5. LAMEA
- 7.5.1. Key market trends, growth factors and opportunities
- 7.5.2. Market size and forecast, by Component
- 7.5.3. Market size and forecast, by Technology
- 7.5.4. Market size and forecast, by Application
- 7.5.5. Market size and forecast, by country
- 7.5.5.1. Latin America
- 7.5.5.1.1. Market size and forecast, by Component
- 7.5.5.1.2. Market size and forecast, by Technology
- 7.5.5.1.3. Market size and forecast, by Application
- 7.5.5.2. Middle East
- 7.5.5.2.1. Market size and forecast, by Component
- 7.5.5.2.2. Market size and forecast, by Technology
- 7.5.5.2.3. Market size and forecast, by Application
- 7.5.5.3. Africa
- 7.5.5.3.1. Market size and forecast, by Component
- 7.5.5.3.2. Market size and forecast, by Technology
- 7.5.5.3.3. Market size and forecast, by Application
- CHAPTER 8: COMPETITIVE LANDSCAPE
- 8.1. Introduction
- 8.2. Top winning strategies
- 8.3. Product mapping of top 10 player
- 8.4. Competitive dashboard
- 8.5. Competitive heatmap
- 8.6. Top player positioning, 2021
- CHAPTER 9: COMPANY PROFILES
- 9.1. Epic Games, Inc.
- 9.1.1. Company overview
- 9.1.2. Key executives
- 9.1.3. Company snapshot
- 9.1.4. Operating business segments
- 9.1.5. Product portfolio
- 9.1.6. Key strategic moves and developments
- 9.2. Hungama Digital Media Entertainment Pvt. Ltd.
- 9.2.1. Company overview
- 9.2.2. Key executives
- 9.2.3. Company snapshot
- 9.2.4. Operating business segments
- 9.2.5. Product portfolio
- 9.2.6. Key strategic moves and developments
- 9.3. Meta
- 9.3.1. Company overview
- 9.3.2. Key executives
- 9.3.3. Company snapshot
- 9.3.4. Operating business segments
- 9.3.5. Product portfolio
- 9.3.6. Business performance
- 9.3.7. Key strategic moves and developments
- 9.4. Niantic, Inc.
- 9.4.1. Company overview
- 9.4.2. Key executives
- 9.4.3. Company snapshot
- 9.4.4. Product portfolio
- 9.4.5. Key strategic moves and developments
- 9.5. Overactive Media Group
- 9.5.1. Company overview
- 9.5.2. Key executives
- 9.5.3. Company snapshot
- 9.5.4. Operating business segments
- 9.5.5. Product portfolio
- 9.5.6. Business performance
- 9.5.7. Key strategic moves and developments
- 9.6. Qualcomm Technologies, Inc.
- 9.6.1. Company overview
- 9.6.2. Key executives
- 9.6.3. Company snapshot
- 9.6.4. Operating business segments
- 9.6.5. Product portfolio
- 9.6.6. Business performance
- 9.6.7. Key strategic moves and developments
- 9.7. QUEPPELIN
- 9.7.1. Company overview
- 9.7.2. Key executives
- 9.7.3. Company snapshot
- 9.7.4. Operating business segments
- 9.7.5. Product portfolio
- 9.7.6. Key strategic moves and developments
- 9.8. Roblox Corporation
- 9.8.1. Company overview
- 9.8.2. Key executives
- 9.8.3. Company snapshot
- 9.8.4. Operating business segments
- 9.8.5. Product portfolio
- 9.8.6. Key strategic moves and developments
- 9.9. Tencent
- 9.9.1. Company overview
- 9.9.2. Key executives
- 9.9.3. Company snapshot
- 9.9.4. Operating business segments
- 9.9.5. Product portfolio
- 9.9.6. Business performance
- 9.9.7. Key strategic moves and developments
- 9.10. Tetavi
- 9.10.1. Company overview
- 9.10.2. Key executives
- 9.10.3. Company snapshot
- 9.10.4. Product portfolio
- 9.10.5. Key strategic moves and developments
- LIST OF TABLES
- TABLE 01. GLOBAL METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 02. METAVERSE IN ENTERTAINMENT MARKET FOR HARDWARE, BY REGION, 2021-2031 ($MILLION)
- TABLE 03. METAVERSE IN ENTERTAINMENT MARKET FOR SOFTWARE, BY REGION, 2021-2031 ($MILLION)
- TABLE 04. METAVERSE IN ENTERTAINMENT MARKET FOR SERVICE, BY REGION, 2021-2031 ($MILLION)
- TABLE 05. GLOBAL METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 06. METAVERSE IN ENTERTAINMENT MARKET FOR BLOCKCHAIN, BY REGION, 2021-2031 ($MILLION)
- TABLE 07. METAVERSE IN ENTERTAINMENT MARKET FOR VIRTUAL REALITY AND AUGMENTED REALITY, BY REGION, 2021-2031 ($MILLION)
- TABLE 08. METAVERSE IN ENTERTAINMENT MARKET FOR MIXED REALITY, BY REGION, 2021-2031 ($MILLION)
- TABLE 09. METAVERSE IN ENTERTAINMENT MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)
- TABLE 10. GLOBAL METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 11. METAVERSE IN ENTERTAINMENT MARKET FOR FILM PRODUCTION, BY REGION, 2021-2031 ($MILLION)
- TABLE 12. METAVERSE IN ENTERTAINMENT MARKET FOR MUSIC LABELS, BY REGION, 2021-2031 ($MILLION)
- TABLE 13. METAVERSE IN ENTERTAINMENT MARKET FOR OTT PLATFORMS, BY REGION, 2021-2031 ($MILLION)
- TABLE 14. METAVERSE IN ENTERTAINMENT MARKET FOR TELEVISION BROADCASTERS, BY REGION, 2021-2031 ($MILLION)
- TABLE 15. METAVERSE IN ENTERTAINMENT MARKET FOR OTHERS, BY REGION, 2021-2031 ($MILLION)
- TABLE 16. METAVERSE IN ENTERTAINMENT MARKET, BY REGION, 2021-2031 ($MILLION)
- TABLE 17. NORTH AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 18. NORTH AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 19. NORTH AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 20. NORTH AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY COUNTRY, 2021-2031 ($MILLION)
- TABLE 21. U.S. METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 22. U.S. METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 23. U.S. METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 24. CANADA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 25. CANADA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 26. CANADA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 27. EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 28. EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 29. EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 30. EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY COUNTRY, 2021-2031 ($MILLION)
- TABLE 31. UK METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 32. UK METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 33. UK METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 34. GERMANY METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 35. GERMANY METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 36. GERMANY METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 37. FRANCE METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 38. FRANCE METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 39. FRANCE METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 40. ITALY METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 41. ITALY METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 42. ITALY METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 43. SPAIN METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 44. SPAIN METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 45. SPAIN METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 46. REST OF EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 47. REST OF EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 48. REST OF EUROPE METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 49. ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 50. ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 51. ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 52. ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY COUNTRY, 2021-2031 ($MILLION)
- TABLE 53. CHINA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 54. CHINA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 55. CHINA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 56. JAPAN METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 57. JAPAN METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 58. JAPAN METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 59. INDIA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 60. INDIA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 61. INDIA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 62. AUSTRALIA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 63. AUSTRALIA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 64. AUSTRALIA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 65. SOUTH KOREA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 66. SOUTH KOREA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 67. SOUTH KOREA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 68. REST OF ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 69. REST OF ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 70. REST OF ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 71. LAMEA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 72. LAMEA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 73. LAMEA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 74. LAMEA METAVERSE IN ENTERTAINMENT MARKET, BY COUNTRY, 2021-2031 ($MILLION)
- TABLE 75. LATIN AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 76. LATIN AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 77. LATIN AMERICA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 78. MIDDLE EAST METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 79. MIDDLE EAST METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 80. MIDDLE EAST METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 81. AFRICA METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021-2031 ($MILLION)
- TABLE 82. AFRICA METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021-2031 ($MILLION)
- TABLE 83. AFRICA METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021-2031 ($MILLION)
- TABLE 84. EPIC GAMES, INC.: KEY EXECUTIVES
- TABLE 85. EPIC GAMES, INC.: COMPANY SNAPSHOT
- TABLE 86. EPIC GAMES, INC.: SERVICE SEGMENTS
- TABLE 87. EPIC GAMES, INC.: PRODUCT PORTFOLIO
- TABLE 88. EPIC GAMES, INC.: KEY STRATERGIES
- TABLE 89. HUNGAMA DIGITAL MEDIA ENTERTAINMENT PVT. LTD.: KEY EXECUTIVES
- TABLE 90. HUNGAMA DIGITAL MEDIA ENTERTAINMENT PVT. LTD.: COMPANY SNAPSHOT
- TABLE 91. HUNGAMA DIGITAL MEDIA ENTERTAINMENT PVT. LTD.: SERVICE SEGMENTS
- TABLE 92. HUNGAMA DIGITAL MEDIA ENTERTAINMENT PVT. LTD.: PRODUCT PORTFOLIO
- TABLE 93. HUNGAMA DIGITAL MEDIA ENTERTAINMENT PVT. LTD.: KEY STRATERGIES
- TABLE 94. META: KEY EXECUTIVES
- TABLE 95. META: COMPANY SNAPSHOT
- TABLE 96. META: SERVICE SEGMENTS
- TABLE 97. META: PRODUCT PORTFOLIO
- TABLE 98. META: KEY STRATERGIES
- TABLE 99. NIANTIC, INC.: KEY EXECUTIVES
- TABLE 100. NIANTIC, INC.: COMPANY SNAPSHOT
- TABLE 101. NIANTIC, INC.: PRODUCT PORTFOLIO
- TABLE 102. NIANTIC, INC.: KEY STRATERGIES
- TABLE 103. OVERACTIVE MEDIA GROUP: KEY EXECUTIVES
- TABLE 104. OVERACTIVE MEDIA GROUP: COMPANY SNAPSHOT
- TABLE 105. OVERACTIVE MEDIA GROUP: SERVICE SEGMENTS
- TABLE 106. OVERACTIVE MEDIA GROUP: PRODUCT PORTFOLIO
- TABLE 107. OVERACTIVE MEDIA GROUP: KEY STRATERGIES
- TABLE 108. QUALCOMM TECHNOLOGIES, INC. : KEY EXECUTIVES
- TABLE 109. QUALCOMM TECHNOLOGIES, INC. : COMPANY SNAPSHOT
- TABLE 110. QUALCOMM TECHNOLOGIES, INC. : SERVICE SEGMENTS
- TABLE 111. QUALCOMM TECHNOLOGIES, INC. : PRODUCT PORTFOLIO
- TABLE 112. QUALCOMM TECHNOLOGIES, INC. : KEY STRATERGIES
- TABLE 113. QUEPPELIN: KEY EXECUTIVES
- TABLE 114. QUEPPELIN: COMPANY SNAPSHOT
- TABLE 115. QUEPPELIN: SERVICE SEGMENTS
- TABLE 116. QUEPPELIN: PRODUCT PORTFOLIO
- TABLE 117. QUEPPELIN: KEY STRATERGIES
- TABLE 118. ROBLOX CORPORATION: KEY EXECUTIVES
- TABLE 119. ROBLOX CORPORATION: COMPANY SNAPSHOT
- TABLE 120. ROBLOX CORPORATION: SERVICE SEGMENTS
- TABLE 121. ROBLOX CORPORATION: PRODUCT PORTFOLIO
- TABLE 122. ROBLOX CORPORATION: KEY STRATERGIES
- TABLE 123. TENCENT: KEY EXECUTIVES
- TABLE 124. TENCENT: COMPANY SNAPSHOT
- TABLE 125. TENCENT: SERVICE SEGMENTS
- TABLE 126. TENCENT: PRODUCT PORTFOLIO
- TABLE 127. TENCENT: KEY STRATERGIES
- TABLE 128. TETAVI: KEY EXECUTIVES
- TABLE 129. TETAVI: COMPANY SNAPSHOT
- TABLE 130. TETAVI: PRODUCT PORTFOLIO
- TABLE 131. TETAVI: KEY STRATERGIES
- LIST OF FIGURES
- FIGURE 01. METAVERSE IN ENTERTAINMENT MARKET, 2021-2031
- FIGURE 02. SEGMENTATION OF METAVERSE IN ENTERTAINMENT MARKET,2021-2031
- FIGURE 03. TOP IMPACTING FACTORS IN METAVERSE IN ENTERTAINMENT MARKET (2021 TO 2031)
- FIGURE 04. TOP INVESTMENT POCKETS IN METAVERSE IN ENTERTAINMENT MARKET (2022-2031)
- FIGURE 05. HIGH BARGAINING POWER OF SUPPLIERS
- FIGURE 06. MODERATE THREAT OF NEW ENTRANTS
- FIGURE 07. HIGH THREAT OF SUBSTITUTES
- FIGURE 08. MODERATE INTENSITY OF RIVALRY
- FIGURE 09. MODERATE BARGAINING POWER OF BUYERS
- FIGURE 10. GLOBAL METAVERSE IN ENTERTAINMENT MARKET:DRIVERS, RESTRAINTS AND OPPORTUNITIES
- FIGURE 11. METAVERSE IN ENTERTAINMENT MARKET, BY COMPONENT, 2021 AND 2031(%)
- FIGURE 12. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR HARDWARE, BY COUNTRY 2021 AND 2031(%)
- FIGURE 13. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR SOFTWARE, BY COUNTRY 2021 AND 2031(%)
- FIGURE 14. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR SERVICE, BY COUNTRY 2021 AND 2031(%)
- FIGURE 15. METAVERSE IN ENTERTAINMENT MARKET, BY TECHNOLOGY, 2021 AND 2031(%)
- FIGURE 16. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR BLOCKCHAIN, BY COUNTRY 2021 AND 2031(%)
- FIGURE 17. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR VIRTUAL REALITY AND AUGMENTED REALITY, BY COUNTRY 2021 AND 2031(%)
- FIGURE 18. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR MIXED REALITY, BY COUNTRY 2021 AND 2031(%)
- FIGURE 19. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR OTHERS, BY COUNTRY 2021 AND 2031(%)
- FIGURE 20. METAVERSE IN ENTERTAINMENT MARKET, BY APPLICATION, 2021 AND 2031(%)
- FIGURE 21. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR FILM PRODUCTION, BY COUNTRY 2021 AND 2031(%)
- FIGURE 22. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR MUSIC LABELS, BY COUNTRY 2021 AND 2031(%)
- FIGURE 23. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR OTT PLATFORMS, BY COUNTRY 2021 AND 2031(%)
- FIGURE 24. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR TELEVISION BROADCASTERS, BY COUNTRY 2021 AND 2031(%)
- FIGURE 25. COMPARATIVE SHARE ANALYSIS OF METAVERSE IN ENTERTAINMENT MARKET FOR OTHERS, BY COUNTRY 2021 AND 2031(%)
- FIGURE 26. METAVERSE IN ENTERTAINMENT MARKET BY REGION, 2021 AND 2031(%)
- FIGURE 27. U.S. METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 28. CANADA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 29. UK METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 30. GERMANY METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 31. FRANCE METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 32. ITALY METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 33. SPAIN METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 34. REST OF EUROPE METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 35. CHINA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 36. JAPAN METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 37. INDIA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 38. AUSTRALIA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 39. SOUTH KOREA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 40. REST OF ASIA-PACIFIC METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 41. LATIN AMERICA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 42. MIDDLE EAST METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 43. AFRICA METAVERSE IN ENTERTAINMENT MARKET, 2021-2031 ($MILLION)
- FIGURE 44. TOP WINNING STRATEGIES, BY YEAR (2020-2022)
- FIGURE 45. TOP WINNING STRATEGIES, BY DEVELOPMENT (2020-2022)
- FIGURE 46. TOP WINNING STRATEGIES, BY COMPANY (2020-2022)
- FIGURE 47. PRODUCT MAPPING OF TOP 10 PLAYERS
- FIGURE 48. COMPETITIVE DASHBOARD
- FIGURE 49. COMPETITIVE HEATMAP: METAVERSE IN ENTERTAINMENT MARKET
- FIGURE 50. TOP PLAYER POSITIONING, 2021
- FIGURE 51. META: NET REVENUE, 2019-2021 ($MILLION)
- FIGURE 52. META: REVENUE SHARE BY SEGMENT, 2021 (%)
- FIGURE 53. META: REVENUE SHARE BY REGION, 2021 (%)
- FIGURE 54. OVERACTIVE MEDIA GROUP: NET REVENUE, 2019-2021 ($MILLION)
- FIGURE 55. OVERACTIVE MEDIA GROUP: REVENUE SHARE BY SEGMENT, 2021 (%)
- FIGURE 56. OVERACTIVE MEDIA GROUP: REVENUE SHARE BY REGION, 2021 (%)
- FIGURE 57. QUALCOMM TECHNOLOGIES, INC. : NET REVENUE, 2020-2022 ($MILLION)
- FIGURE 58. QUALCOMM TECHNOLOGIES, INC. : REVENUE SHARE BY SEGMENT, 2022 (%)
- FIGURE 59. QUALCOMM TECHNOLOGIES, INC. : REVENUE SHARE BY REGION, 2022 (%)
- FIGURE 60. TENCENT: NET REVENUE, 2019-2021 ($MILLION)
- FIGURE 61. TENCENT: REVENUE SHARE BY SEGMENT, 2021 (%)
- FIGURE 62. TENCENT: REVENUE SHARE BY REGION, 2021 (%)
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